Galerie
Pien Rademakersis presenting images from Quandra
Loka, a photographic suite by Adi Da Samraj, at the
2012 Luxury Art Fair. Pien Rademakers will also present
a video documentary on the making of the suite.
Pien Rademakers
dates: December 6-12, 2012 address: RAI Eurocomplex, Amsterdam web address: here
The
Quandra Loka Suite
Adi Da describes the Quandra Loka Suite
as being of "indefinite length". It is a vast Suite
comprised of over 21,000 images. Here are a few.
Click on images to view enlargements.
Quandra Loka #304
Triptych, face mounted pigment prints, 59 x 118 in / 150 x
300cm
Adi Da writes about His Quandra Loka Suite:
Quandra Loka is a visual meditation on a very
simple circumstance: a woman in and near a pool of water.
Narcissus, the archetype of ego, gazes at his own reflection
in a pond, never able to contact the "object" of his
self-enamored affection. But Quandra, the true beloved,
is one with the water itself, whether in or out of the
pool.
I shot the majority of the images in Quandra Loka
underwater, or with the camera lens partially submerged
in water, so that the water functions as a vast and
subtly complex lens, achieving visual results not possible
by any technical means. The images are made by a "technique"
that requires continuous participation in the living
instant of the photographic situation — sensitive to
the constantly changing sunlight conditions, the ever-shifting
minute movements of the subject, and even my own ability
to stay submerged underwater. This "method" is beyond
conceptual effort, beyond conventions of control in
the ordinary sense, beyond point of view. This process
of generating images — involving absolute awareness
of every detail of what is occurring and (simultaneously)
an intuitive trust in allowing the ultimately unpredictable
process to take place — is a means of allowing reality
to be self-manifested.
I intend these images to "picture" the unity of the
undifferentiated reality from which all appearances
emerge in a constant flow of changes. The entire span
of human possibilities is reflected in these images
— both "positive" and "negative." But all possibilities
are seen in the context of that inherent unity or indivisible
space. The positives and the negatives are all transcended,
rather than any attempt being made to render them acceptable
in and of themselves.