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ADI DA: You are resorting to Me now, and that’s not going to be taken away, just because of a trivial activity like death!. . . So, being My devotee, there is no question about your being able to resort to Me and find Me and enter into Communion with Me, if you turn to Me as you do now.
I’ve sung Have Yourself a Merry Little Christmas to Beloved Adi Da many times over the years — at the Manner of Flowers, at Adi Da Samrajashram, at First People / Great Food Dish, etc. (as one of a small group of singers, and usually also as the keyboardist) — and I’m singing it to Him again (and all of you!) here. It is one of my favorite songs at this time of year.
For me (starting with Judy Garland's original film version), it has always been an emotion-filled song, by turns joyful, playful, nostalgic, and wistful — so that is how I sing it here.
This song as a bridge to God. In Beloved Adi Da’s Company, everything (from Mickey Mouse to cookie-making) becomes “a bridge to God”.
ADI DA: “You must Awaken and discover the Divine World wherein everything is a bridge to the Infinite, One Being.”
And so for me, the words of this song have always taken on a significance beyond the usual secular understanding of the song. They lead me through a consideration that I’ll share with you here.
Have yourself a merry little Christmas Let your heart be light From now on our troubles will be out of sight
Have yourself a merry little Christmas Make the Yuletide gay From now on our troubles will be miles away.
Here we are as in olden days Happy golden days of yore Faithful friends who are dear to us Gather near to us once more
Through the years we all will be together If the fates allow Hang a shining star upon the highest bough And have yourself a merry little Christmas now.
That wistfulness: Raymond’s problem. On the surface, the words of Have Yourself a Merry Little Christmas are purely joyful — "faithful friends" coming together each year in a joyous Christmas celebration. And yet, one of the emotions I feel when I sing this song is wistfulness. So where is the wistfulness coming from? It's that big "IF" in the song: "if the fates allow". In fact, as every one of us knows (more and more, with each passing year), fate (conditional existence) only allows such reunions for a limited number of years. As I sing, I have a vision of a photograph of a gathering of friends, from a Christmas or Danavira Mela many years ago, and, in this vision, each face in the photograph — one by one over the years — turns "ghostly", either through our circumstances (high school, college, living near each other) no longer being shared, or life paths that have moved in different directions, or the passing on of that person. My awareness of that inevitable reality is the source of the wistfulness and nostalgia. The inevitable disappearance of the (mortal) loved one is “Raymond’s problem”, a phrase Adi Da uses, based on the central character of The Mummery Book.
Danavira Mela: A Divine Celebration in the midst of a conditional universe. The joy and playfulness of the song comes from the celebration we can still have together, even in the midst of an ever-changing, conditional universe. One of my (and many other devotees’) favorite quotes of Beloved Adi Da has always been this extraordinary prayer, from “Death is a Perfect Insult” in The Enlightenment of the Whole Body:
“Let us surrender into Infinity with all our friends and hold on to no thing or condition that ever appears. Let us forget all things in present Happiness, and so forgive the universe for all its playful changes. Let us always love one another, and so forgive one another for appearing, for changing, and for passing out of present sight. So be it.”
When I sing this song, I hear it giving further guidance for just how to do this.
[Contains Spanish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
"La Comunión Con El Maestro Espiritual Hace Posible La Rendición" ("Communion with the Spiritual Master is What Makes Surrender Possible") is from a question and answer session with Adi Da on October 28, 1978, in Land Bridge Pavilion at the Mountain Of Attention Sanctuary in Northern California. This is track 3 on the DVD, Surrender of self Is A Koan.
In this excerpt, Adi Da addresses the fact that although the struggle and distractions in the early stages of spiritual practice are great, there is also great help in the relationship with the Spiritual Master. Attention to all of the ups and downs of the body-mind can be transcended and surrendered through that relationship.
[Contains Spanish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
In this excerpt, "No hay nadie para rendirse" ("There Is No One To Surrender"), Adi Da Samraj considers the spiritual transformation of a human being, and states of the body-mind. The real spiritual process is not based on effort or having more (or greater) experiences, even in the mystical dimension. In the true spiritual process, experience, in all its forms (first physical and then mystical), must be transcended through our heart-based practice of God-Communion.
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