Adi Da Up Close
Audio/Video Library

[Contains Spanish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Video excerpt from an early discourse by Adi Da Samraj on July 29, 1973.

This video clip is an excerpt from the DVD, The Relationship To The Guru Is The Constant In Life.

Tags: Spanish   DVD  

[Contains Czech subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Video excerpt from an early discourse by Adi Da Samraj on July 29, 1973.

This video clip is an excerpt from the DVD, The Relationship To The Guru Is The Constant In Life.

Adi Da would later make a similar communication in a very memorable way in “The Divine Avataric Self-Disclosure” (in The Aletheon):

ADI DA: The conditionally Apparent “world”-Process Of “Everything Changing” Is Simply The Natural “Play” Of Cosmic Life, In Which the (Always) two sides of every possibility come and go, In Cycles Of appearance and disappearance. Winter’s cold alternates with summer’s heat. Pain, Likewise, Follows every pleasure. Every appearance Is (Inevitably) Followed By its disappearance. There Is No Permanent “experience” In The Realm Of Cosmic Nature. One whose Whole bodily Devotion To Me Is Constant Simply Allows All Of This To Be So. Therefore, one who Truly Listens To Me and “Knows” Me Spontaneously Ceases To Add “self”-Contraction (and, Thus, “conditional-experience-causing” energy and intention) To This Relentless Round Of Natural and Futile Changes. . . Intrinsically egoless Self-Realization Of Me Is Possible Only When a living being (or body-mind-“self”) Has Whole bodily Ceased To React To The Always Changing Imposition Of Cosmic Nature. . . Those who Perfectly “Know” Me Tacitly Understand That whatever Is Not Always Already (or Eternally) Self-Existing and Self-Radiant Only Changes. . . Those who Perfectly “Know” Me Acknowledge (Tacitly, and With every Whole bodily act) That What Is Always Already The (One and Only) Case Never Changes. Such True Devotees Of Mine (who Perfectly “Know” Me) Perfectly Realize That The Entire Cosmic Realm Of Change—and Even the To-Me-Surrendered Whole body (itself)—Is Entirely Pervaded By Me (Always Self-Revealed As That Which Is Always Already The Case).

For more about Adi Da’s principle that what is not used becomes obsolete, read His Essay, “Right Principle and Right Self-Management: The Secrets of How To Change”, in The Aletheon.

Tags: Czech   DVD  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Tämä video on tallenne kahdesta huomattavasta taidenäyttelystä, jossa Adi Dan taideteokset olivat esillä: Venetsian Biennaalista ja Cenacolo Di Ognissantista Firenzessä.

Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".

Narrated by Stuart Gibson. Additional comments from Achille Bonito Oliva (translated into English by Teresa Romero), Cristina Acidini (Superintendent of Museums, Florence, Italy), Monica Bietti (Assistant Superintendent of Museums, Florence, Italy), Paula Crema (artist), and Gary Coates (Professor of Architecture).

Tags: image-art   Finnish  

[Contains Czech subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Toto video dokumentuje dvě důležité výstavy, na nichž byla vystavena díla Adi Da: Bienále v Benátkách a Cenacolo Di Ognissanti ve Florencii.

Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".

Narrated by Stuart Gibson. Additional comments from Achille Bonito Oliva (translated into English by Teresa Romero), Cristina Acidini (Superintendent of Museums, Florence, Italy), Monica Bietti (Assistant Superintendent of Museums, Florence, Italy), Paula Crema (artist), and Gary Coates (Professor of Architecture).

Tags: image-art   czech  

Video excerpt from an early discourse by Adi Da Samraj on July 29, 1973.

This video clip is an excerpt from the DVD, The Relationship To The Guru Is The Constant In Life.

Adi Da would later make a similar communication in a very memorable way in “The Divine Avataric Self-Disclosure” (in The Aletheon):

ADI DA: The conditionally Apparent “world”-Process Of “Everything Changing” Is Simply The Natural “Play” Of Cosmic Life, In Which the (Always) two sides of every possibility come and go, In Cycles Of appearance and disappearance. Winter’s cold alternates with summer’s heat. Pain, Likewise, Follows every pleasure. Every appearance Is (Inevitably) Followed By its disappearance. There Is No Permanent “experience” In The Realm Of Cosmic Nature. One whose Whole bodily Devotion To Me Is Constant Simply Allows All Of This To Be So. Therefore, one who Truly Listens To Me and “Knows” Me Spontaneously Ceases To Add “self”-Contraction (and, Thus, “conditional-experience-causing” energy and intention) To This Relentless Round Of Natural and Futile Changes. . . Intrinsically egoless Self-Realization Of Me Is Possible Only When a living being (or body-mind-“self”) Has Whole bodily Ceased To React To The Always Changing Imposition Of Cosmic Nature. . . Those who Perfectly “Know” Me Tacitly Understand That whatever Is Not Always Already (or Eternally) Self-Existing and Self-Radiant Only Changes. . . Those who Perfectly “Know” Me Acknowledge (Tacitly, and With every Whole bodily act) That What Is Always Already The (One and Only) Case Never Changes. Such True Devotees Of Mine (who Perfectly “Know” Me) Perfectly Realize That The Entire Cosmic Realm Of Change—and Even the To-Me-Surrendered Whole body (itself)—Is Entirely Pervaded By Me (Always Self-Revealed As That Which Is Always Already The Case).

For more about Adi Da’s principle that what is not used becomes obsolete, read His Essay, “Right Principle and Right Self-Management: The Secrets of How To Change”, in The Aletheon.

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Ten film dokumentuje dwie ważne wystawy sztuki, w których pokazano dzieła Adi Da: Biennale Weneckie i Cenacolo Di Ognissanti we Florencji.

Więcej informacji na temat sztuki Adi Da Samraj można znaleźć pod adresem www.daplastique.com.

Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".

Narrated by Stuart Gibson. Additional comments from Achille Bonito Oliva (translated into English by Teresa Romero), Cristina Acidini (Superintendent of Museums, Florence, Italy), Monica Bietti (Assistant Superintendent of Museums, Florence, Italy), Paula Crema (artist), and Gary Coates (Professor of Architecture).

Tags: Image-Art   Polish  

As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.

This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.

The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.

Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.

Valeria Patera Valeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.

Valeria Spera. Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.

Tags: Image-Art   music  

In 2016, on a summer night in the beautiful city of Florence, the Florence Dance Company performed the multimedia dance event, Quattro Maggiore ("Four Seasons") — set to the music of Vivaldi (his most well-known work, "Quattro Maggiore", performed live) and the art of Adi Da Samraj as the backdrop. Vivaldi's masterpiece has four parts, corresponding to the four seasons. In this newly expanded performance, musical preludes have been added before each season, featuring the musical composition and performance of hang drummer extraordinaire Paolo Borghi of Rome. In this excerpt, we hear Borghi's "Prelude" to Vivaldi's "Winter".

The performance took place on the Ponte Vecchio, a medieval multi-arch bridge over the Arno River in Florence, Italy. The Ponte Vecchio is one of the most historic bridges in the world, and the earliest bridge at this spot is believed to have been built in Roman times.

This performance is in preparation for a planned, fuller performance in 2017.

Tags: Florence Dance Company   Image-Art  

Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".

Narrated by Stuart Gibson. Additional comments from Achille Bonito Oliva, Cristina Acidini (Superintendent of Museums, Florence, Italy), Monica Bietti (Assistant Superintendent of Museums, Florence, Italy), Paula Crema (artist), and Gary Coates (Professor of Architecture).

Tags: Image-Art