Beyond Sex, Science, and self poster: DawnHorsePress length: 10:00 date added: July 27, 2011 event date: January 21, 2005 language: English views: 6183; views this month: 9; views this week: 2
In this Adidam Revelation Discourse from January 21, 2005, Adi Da reveals that Liberation cannot ever be achieved through sex, science, or religion! And He makes the astounding assertion, “Realization has nothing to do with the body-mind.”
Watch this DVD for Adi Da's Instruction on True Freedom, which He says is discovered only in the utter transcending of “point of view”, by means of the Transmission of Reality Itself. "The 'self'-contraction, the 'point of view', the 'point-of-view'-machine and what it presumes to be Reality, the illusions of Reality created by 'point of view' — these are the important matters to be understood. The 'you' to which you refer as 'I', the ego-'I', is a 'point-of-view'-machine. It is subject to the illusions of the cosmic apparition, the illusions that 'point of view' itself is subject to — space-time, mass, and so forth."
The DVD, Beyond Sex, Science, and "self", is available from The Dawn Horse Press. Subtitles in English, Spanish, French, Italian, German, Dutch, Russian, Polish, Czech, and Hebrew. A CD version is also available.
The Secret Of Experience poster: DawnHorsePress length: 08:32 date added: November 16, 2013 event date: 2004 language: English views: 4222; views this month: 8; views this week: 1
What kind of experiences might you notice arising in the course of esoteric practice or via Spiritual Transmission? What is the secret to relating to them rightly?
On the DVD, The Secret of Experience, Avatar Adi Da Samraj addresses questions on this topic in two revelatory Discourses.
On December 5, 2004, when asked by a devotee about a particular experience, Avatar Adi Da contrasted the self-authenticating nature of the experience with the attitude of having a question about the experience.
And on August 13, 2004, Adi Da talked about the potential of blissful experience to create unrealistic presumptions about the self and about real practice.
This video clip is an excerpt from the DVD, in which Adi Da is responding to a devotee who asked Him a question on the phone. The DVD includes Spanish, French, Italian, German, Dutch, Polish, Czech, and Hebrew subtitles.
Spectra Suite poster: Francesco Rampichini length: 10:36 date added: August 2, 2017 event date: 2008 language: English views: 4599; views this month: 22; views this week: 3
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
On July 21 and 22, 2014, The Florence Dance Company performed the multimedia dance event, Quattro Maggiore ("Four Seasons") — set to the music of Vivaldi (his most well-known work, "Quattro Maggiore", performed live) and the art of Adi Da Samraj. The venue was the courtyard of the historic Bargello Museum in Florence.
This video clip provides an introduction to the place (Florence), the dancers, the musicians, the art (images from Adi Da's Geome One: Alberti's Window, in four different colorings for the four seasons), and the costumes (which were color-coordinated with the art).
Also in this clip: Italian art critic, Giuliano Serafini (author of Matisse e il Mediterraneo and Goya, praises the combination of music, dance, and art: "It's the best!". Serafini, Keith Ferrone (director of the Florence Dance Company), and Ruchiradama Nadikanta all note the technological advance represented by the LED lighting in the back panels, that brought out the color in Adi Da's art to a far greater degree than in previous performances (assisted by new fabrications of Adi Da's art), and enlivened the dancers' performance.
Ruchiradama Nadikanta: "Absolutely exquisite! . . . It was one symphony — of dance, and art, and music. . . Adi Da was immensely present, infusing every note and every step, as well as shining through His extraordinary Art. . . You feel [the dancers] really dancing to the Art."
Italian television news channel TGT 24 (Florence) interviews Marchelle Deranleau (Curatorial Director, Da Plastique) about Adi Da Samraj’s art and “Il Mito Di Orfeo” (“The Myth of Orpheus”) in The Ascent of Orpheus exhibition, at the Bargello Museum.
Questo è il canale che celebra Adi Da Samraj – realizzatore spirituale unico, maestro, autore e artista. Adi Da Samraj ha dedicato la sua vita alla creazione di strumenti utili all'umanità per realizzare la Verità ultima – quello che lui ha chiamato il “Luminoso”, ossia la Indivisibile Realtà in cui noi tutti appariamo.
Per ulteriori informazioni su Adi Da Samraj, si prega di scrivere a: videodidida@gmail.com.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
An overview of Adi Da's life and work by Ruchiradama Nadikanta, a long-time devotee. She is a member of the Ruchira Sannyasin Order, the order of fully renunciate practitioners in Adidam.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
"Adidam non è un modo religioso" ("Adidam is Not a Religious Way") is a video excerpt from an Avataric Discourse, given by Adi Da on January 21, 2005, at Adi Da Samrajashram.
ADI DA: "Religion" belongs to a domain of efforts that are "point-of-view"-based, cosmological in nature, associated with myths of apparent Reality as perceived. None of that has anything to do with the Realization of Reality Itself.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Gerald Sheinfeld, un devoto di Avatar Adi Da sin dai primi anni 70, ci racconta la magnifica storia dell'incontro col suo Maestro, Adi Da Samraj, e del suo immediato riconoscere in Adi Da la singolarità del Suo stato di Felicità e Liberazione. Gerald parla anche del modo in cui il riconoscere Adi Da risvegli implicitamente il nostro stesso stato di Unità-a-priori.
Gerald Sheinfeld, a devotee of Avatar Adi Da since the early 1970's, tells a wonderful story about how he found his Guru, Adi Da Samraj and his immediate recognition of Adi Da's unique state of Freedom, Happiness, and Liberation. Gerald speaks about how that recognition of Adi Da has the capacity to awaken others to that state of Prior Unity.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
"Avete Imparato a Sentire Perfettamente?" ("Have You Learned to Feel Perfectly?") is a video excerpt from the longer talk, "The Fire Must Have Its Way". The full talk is available on the DVD, The Fire Must Have Its Way, on which this is track 1. It is also available as a CD. The talk also appears in written form in the book, My "Bright" Sight and online here.
The bottom line: If you want to feel good, you have to learn how to feel good!
ADI DA: Somehow in the midst of this round of existence you realize that you can feel a lot better than you now feel, that you can feel absolutely blissful, that you can love absolutely, that you can be absolutely free. But feeling blissful stands in contrast to your common state. You are addicted to reactive emotion, low levels of energy, gross fixations of attention, psycho-physical obstruction. You are addicted to countless programs that are less than love. In every moment your attention is moving toward one or another object, and your feeling in every moment is an expression of the program of mind into which you are locked in that moment.
Now, what have you learned in your whole life? Have you learned to feel perfectly? To feel absolutely? Did you ever go through a period of study in which you learned to feel to Infinity, to feel Absolute Divinity? No, you learned all the reactive patterns of life, all the desires for ordinary things. You knew them even before you became familiar with them again in this body. You cannot feel any better than you can feel, and you are addicted to feeling less than love, to being less than ecstasy.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
In this clip, "Avvicinatevi a Me con il Cuore" ("Approach Me From Your Heart"), Adi Da speaks to devotees in the Manner Of Flowers (at the Mountain Of Attention), during the "Love of the God-Man" Celebration on March 8, 1984. Adi Da talks about praise speech, ecstasy, and Satsang.
Some of the questions Adi Da addresses in the full talk are: What is a Divine experience? Who is God that God could be identified over against anything whatsoever? Who is a Spiritual Master if He can find Himself apart from God, such that He could say: “This piece is Me and this piece is God”? How could such distinctions continue in the consciousness of one who has Realized the Divine?
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Devotee Ben Grisso, who grew up in the Adidam community, and who worked with Adi Da on His Divine Image-Art, offers this testimonial to Adi Da's life and work.
Excerpt from Second Evening: Track 11 on the DVD, A Tribute to the Life and Work of His Divine Presence, Adi Da Samraj. More than 7 hours long, this Tribute DVD was filmed on the occasion of the first Anniversary of Adi Da's Divine Mahasamadhi, when devotees, family, and friends of Adi Da Samraj gathered at Adi Da Samrajashram, Fiji (Adi Da's principal Hermitage), to acknowledge Adi Da as the Divine in human form, to praise His Greatness, and to express their heart-felt gratitude for the Blessings they have received from Him.
A list of all the tracks on this DVD can be found here.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
In this discourse, a student of Adi Da asks Him for suggestions to help her dying mother. Adi Da then responds both with compassion and also with very practical advice on how to serve the dying.
[The recording of Adi Da's voice is slightly distorted, but understandable.]
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Adi Da critica il cultismo in genere e in particolare quello religioso. Questo discorso, che risale al 1978, è uno dei ricorsi sullo stesso tema che si sono susseguiti negli anni.
Adi Da criticized religious cultism, long before the subject gained any popular attention. (For an audio clip of His earliest criticisms — in June, 1972 — click here.) This discourse, "Cos'è il Cultismo?" ("What Is Cultism?"), given in 1978 at The Mountain Of Attention, is one of His summary addresses on the subject. Adi Da observes that the primary characteristic of a cult member is shared enthusiasm (like enjoying the energy of the crowd at a football game). For example, in "the cult of the Spiritual Master", everybody is enjoying the enthusiasm (their own and each other's) associated with having "found" the great Master; but no one is actually engaged in significant deepening of the devotional and spiritual relationship with the Master, and practicing on that basis — hence no Spiritual growth or Realization occurs.
Adi Da: "My purpose in My Teaching is to make it possible for you to duplicate what I have done — not to be eternally separated from Me, but to be in Communion with Me — to be intimate with Me in Spiritual terms, so that you, yourself, may live this practice, and fulfill it in your own case."
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