Spectra Suite poster: Francesco Rampichini length: 10:36 date added: August 2, 2017 event date: 2008 language: English views: 4601; views this month: 21; views this week: 5
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
poster: Wisdom Tools for Humanity length: 04:24 date added: March 19, 2017 event date: May 24, 1983 language: English views: 4132; views this month: 13; views this week: 8
Adi Da gave this talk on May 24, 1983, in Fiji. In it he describes how all processes (including diet) associated with transformation of the body-mind (making it an appropriate yogic vehicle compatible with the Transcendental Spiritual Way of Adidam) necessarily first go through purification and rebalancing phases (for as long as they take) — associated with Fire — before they enter the regeneration phase — associated with Light. Knowing this helps one persist in the fire of the purification and rebalancing phases to the point where one comes out the other side.
The life of devotion to Me Is both a Communion with Light and a Purification by Fire. There may be many years of This Fire-Light in My Divine Avataric Company, and you should welcome all of them.
That commitment to Fire and Light must be your exercise of life — in every moment, and under all circumstances.
Where There Is Light There Is Heat. Where There Is Heat There Is Fire. Where There Is Fire There Is Light.
Avatar Adi Da Samraj "The Way of Light Is The Way of Fire", The Aletheon
On July 21 and 22, 2014, The Florence Dance Company performed the multimedia dance event, Quattro Maggiore ("Four Seasons") — set to the music of Vivaldi (his most well-known work, "Quattro Maggiore", performed live) and the art of Adi Da Samraj. The venue was the courtyard of the historic Bargello Museum in Florence.
This video clip provides an introduction to the place (Florence), the dancers, the musicians, the art (images from Adi Da's Geome One: Alberti's Window, in four different colorings for the four seasons), and the costumes (which were color-coordinated with the art).
Also in this clip: Italian art critic, Giuliano Serafini (author of Matisse e il Mediterraneo and Goya, praises the combination of music, dance, and art: "It's the best!". Serafini, Keith Ferrone (director of the Florence Dance Company), and Ruchiradama Nadikanta all note the technological advance represented by the LED lighting in the back panels, that brought out the color in Adi Da's art to a far greater degree than in previous performances (assisted by new fabrications of Adi Da's art), and enlivened the dancers' performance.
Ruchiradama Nadikanta: "Absolutely exquisite! . . . It was one symphony — of dance, and art, and music. . . Adi Da was immensely present, infusing every note and every step, as well as shining through His extraordinary Art. . . You feel [the dancers] really dancing to the Art."
Opening Reception of the exhibition, "Quandra Loka - The Indivisible Space of Conscious Light": color and black-and-white photographic images, combined with the full-wall multi-media installation. Showing at Galerie Pien Rademakers, Prinsengracht 570, Amsterdam, May 24 - June 29, 2014. Also appearing at the KunstRAI Art Fair in Amsterdam, June 4-9, 2014.
Sneak preview of the exhibition, "Quandra Loka - The Indivisible Space of Conscious Light": color and black-and-white photographic images, combined with the full-wall multi-media installation. Premiering at Galerie Pien Rademakers, Prinsengracht 570, Amsterdam, May 24 - June 29, 2014. Also appearing at the KunstRAI Art Fair in Amsterdam, June 4-9, 2014. For more about this exhibition, click here.
The Sunshine Makers poster: frizz lefryd length: 07:43 date added: May 8, 2010 language: English views: 10739; views this month: 55; views this week: 10
One of Adi Da's favorite cartoons, "The Sunshine Makers" is a classic from the golden age of animation. Released on January 11, 1935 (an auspicious day of the year, in the sacred calendar of Adidam), the cartoon was directed by Ted Eshbaugh, the first artist/technician to figure out how to create animated cartoons in color. This restored print is the highest quality available, and is from the DVD, Toddle Tales & Rainbow Parade Cartoons.
"The Sunshine Makers" is the third cartoon in the "Rainbow Parade Series", which was produced by Van Beuren Studios to compete with Walt Disney's "Silly Symphonies". The series consisted of 27 full color, animated shorts, and was distributed to theaters by RKO between 1934 and 1936. (You can watch more of these here.)
"The Sunshine Makers" later became a regular on 1950's television, after the sale of RKO's film library. In his book, Of Mice and Magic, well-known film critic Leonard Maltin writes that his childhood (in the 1950's) included "countless viewings" of the cartoon.
"The Sunshine Makers" is also one of Adi Da's favorite cartoons, because of its depiction of Light and Happiness (magnified and spread by the "Sunshine gnomes" in the cartoon) dissolving and outshining the force of egoity (the "gloomies").
In his article, "The Sunshine Makers cartoon from 1935", James Steinberg writes, "Bhagavan Adi Da loved that cartoon! He thought that it showed the simplicity of the argument of the open hand and the closed fist, or that our un-happiness is just something that we presume. Just like He used to tell us when we came to the Mountain of Attention, or came to see Him altogether, that we could 'leave it at the gate'. There is no reason to presume the dilemma in the face of the Divine (or truly altogether). We used to watch 'The Sunshine Makers' cartoon with Him when we had to watch it on a 16mm projector. I saw it multiple times with Bhagavan and He would laugh heartily as it was shown and watch our faces to see our reactions beaming with Happiness. He always used to tell us that we could just 'drop it in the moment' (our self-contraction) and that it was 'just an act'."
Further notes on the cartoon:
* It's a musical! Almost all speech is set to music.
* At 0:43: The "Sunshine gnomes" start their morning with a conscious exercise routine that begins with bowing down to the Transcendental Sun (the source of their sunshine): "Hail, His Majesty, the Sun!"
* At 7:00: When the "gloomies" refuse to "take their medicine", the gnomes force "sunshine" down their throats. In the words of the great Spiritual Master, Sri Ramakrishna: "There are three classes of physicians: superior, mediocre, and inferior. The physician who feels the patient's pulse and just says to him, 'Take the medicine regularly' belongs to the inferior class. He doesn't care to inquire whether or not the patient has actually taken the medicine. The mediocre physician is he who in various ways persuades the patient to take the medicine, and says to him sweetly: 'My good man, how will you be cured unless you use the medicine? Take this medicine. I have made it for you myself.' But he who, finding the patient stubbornly refusing to take the medicine, forces it down his throat, going so far as to put his knee on the patient's chest is the best physician. This is the manifestation of the tamas of the physician. It doesn't injure the patient; on the contrary, it does him good."
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