Adi Da Up Close
Audio/Video Library

[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

An overview of Adi Da's life and work by Ruchiradama Nadikanta, a long-time devotee. She is a member of the Ruchira Sannyasin Order, the order of fully renunciate practitioners in Adidam.

Tags: Italian  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Vuonna 2009, vuosi Adi Dan poismenon jälkeen, monet omistautujat matkustivat Adi Dan Erakkola-Pyhättöön, joka on Naitauban saarella Fidzissä, osallistumaan kahden päivän muistotilaisuuteen. Megan Anderson, joka kasvoi Adidamin yhteisössä, kertoo ajasta jolloin Adi Da kannusti häntä palvelemaan omistautumalla Hänen Sanansa toimitukseen.

Devotee Megan Anderson, who grew up in the Company of Adi Da, offers this testimonial to His life and work. She also describes how she was encouraged by Adi Da to take up her service to Him as one of the key editors of His Word, and how He personally guided her growth into human maturity.

Tags: Finnish  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Więcej ilustracji ze sztuką Adi Da Samraj znajdziesz na stronie: www.daplastique.com.

Opening night gala (July 9, 2015) for Adi Da Samraj, “The Ascent of Orpheus” exhibition at the Bargello National Museum, Florence. Includes opening events and interviews.

For more information about the exhibition, click here or visit the website for the exhibit (from web designer, Chris Tong).

Tags: Image-Art   Polish  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Retrospektiivi Adi Dan suurista taideteoksista jossa Adi Da myös puhuu työstään. Tämä video sisältää valokuvia ja videota eri näyttelyistä sekä kommentteja taidealan ammattilaisilta.

A retrospective of Adi Da's monumental-size art. Includes clips of Adi Da talking about His work. Also includes slides from various exhibitions and some quotes about Adi Da's art from an art critic, art historian, and museum curator.

Soundtrack:
* Adi Da speaking about "point of view" and "no point of view".
* a piece by Tamarind Free Jones (composer, singer).
* Ray Lynch, Celestial Soda Pop, from Deep Breakfast.
* a piece from the album, Baba Da's Great Tradition Improvisation Fusion Orchestra
* Antonio Vivaldi, The Four Seasons

Tags: image-art   Finnish  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Dorastając we wspólnocie Adi Da, Stanley opowiada o swoim dzieciństwie i dojrzewaniu w Adidam, opowiada o tym, jak jako nastolatka, podobnie jak wielu innych młodych osób, postanowił na własnej skórze przekonać się, co świat ma do zaoferowania. Po kilku latach eksperymentowania postanowił wrócić do Adi Da i oferowanego przez niego stylu życia, aby ponownie w pełni uczestniczyć w życiu wspólnoty i bezpośrednio służyć Adi Da.

Stanley Hastings talks about his childhood and adolescence growing up in the Adidam community. Like many other young people, as a teenager, he decided to see for himself what the world had to offer. After several years of experimenting, he decided to return to Adi Da and the Way of life He offered — to fully participate again in the life of the community and to serve Adi Da directly.

Tags: Polish  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Tämä video on tallenne kahdesta huomattavasta taidenäyttelystä, jossa Adi Dan taideteokset olivat esillä: Venetsian Biennaalista ja Cenacolo Di Ognissantista Firenzessä.

Two important art exhibitions in which Adi Da was invited to participate were the Venice Biennale (2007) and the Cenacolo di Ognissanti in Florence (2008), where His Art was exhibited in the same room as the famous large fresco by Domenico Ghirlandaio of "The Last Supper".

Narrated by Stuart Gibson. Additional comments from Achille Bonito Oliva (translated into English by Teresa Romero), Cristina Acidini (Superintendent of Museums, Florence, Italy), Monica Bietti (Assistant Superintendent of Museums, Florence, Italy), Paula Crema (artist), and Gary Coates (Professor of Architecture).

Tags: image-art   Finnish  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Gerald Sheinfeld, joka on omistautunut Avatar Adi Dalle 1970-luvun alusta saakka, kertoo tarinan Gurunsa löytämisestä, ja siitä, miten hän välittömästi tunnisti Avatar Adi Dan ainutlaatuisen olotilan, joka viestii vapautta, iloa ja vapautusta. Gerald selittää, miten tuon kaltainen tunnistus Adi Dan olotilasta herkistää yksilön Aiemman Ykseyden asemaan.

Gerald Sheinfeld, a devotee of Avatar Adi Da since the early 1970's, tells a wonderful story about how he found his Guru, Adi Da Samraj and his immediate recognition of Adi Da's unique state of Freedom, Happiness, and Liberation. Gerald speaks about how that recognition of Adi Da has the capacity to awaken others to that state of Prior Unity.

Tags: Finnish  

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Chris Tong sings "Adi Da Beloved" — a devotional version of the traditional Christmas carol, "Angels We Have Heard On High".

Words, musical arrangement, and performance by Chris Tong, in the manner of other ecstatic, dramatic, immersive musical pieces like the “Hallelujah Chorus” (the finale of Handel's Messiah) and “Ode To Joy” (the finale of Beethoven's Ninth Symphony).

instruments: synthesizers, horns, flute, piano, violin, bass, drums, bells.

Thanks to my dear friend, Crane Kirkbride, whose own beautiful singing of music like this inspired me to create Adi Da Beloved. Crane also gave me some very helpful singing tips after listening to an earlier version.

This audio is also part of an article, Adi Da and Holiday Music.

Tags: music   Danavira Mela  

Adi Da Samraj at a cookie-making occasion in First People (now called "Great Food Dish") at the Mountain of Attention Sanctuary on December 23, 1995, as part of the Celebration of Danavira Mela. Outside, devotees sing holiday songs for Him, as He looks out the window, listens to the music, and sings a few notes Himself. Inside, devotees attend Him as He turns cooking-making into an art form.

Tags: music   Danavira Mela  

This excerpt is from "Parama-Sapta-Na", track 6 of the album, I Am The Heart.

I Am The Heart contains six tracks of beautiful devotional music and chant, written and recorded by Antonina Randazzo and Elaine Dixon, with one traditional chant.

Antonina and Elaine write: "We offer this CD in loving regard, devotion, and gratitude to our Divine Heart-Master, Ruchira Avatar Adi Da Samraj, who is our inspiration. 'I Am The Heart' is His Divine Confession and True Nature, which He Reveals and freely Gives to all. May His Blessings flow through this offering, and touch your heart."

Joining Antonina and Elaine on "Parama-Sapta-Na" is Steve Brown (vocals).

Special thanks to the other musicians who participated in this offering: Steve M. Haggerty, Simon Llewelyn Evans, Tom Stiles, Pamela Gray, Steve Brown, Bill Somers, and John Wubbenhorst.

I Am The Heart is a wonderful gift for the holidays!

Links:

• Dawn Horse Press (buy CD)


• Amazon (stream / download)


• Apple Music / iTunes (stream / download)

If you enjoy this album, please help us let others know about it! One way is by writing a review on Amazon.com.

You can also read Antonina's leela, Devotional Singing: The Focus Is On The Divine.

Elaine (with Rosa Guilfoyle) has also released another album, The Teaching Manual Of Perfect Summaries, which includes chanting and recitation of Adi Da's Teaching.

Tags: music   CD   download  

This excerpt is from "Da Adi Da", track 5 of the album, I Am The Heart.

I Am The Heart contains six tracks of beautiful devotional music and chant, written and recorded by Antonina Randazzo and Elaine Dixon, with one traditional chant.

Antonina and Elaine write: "We offer this CD in loving regard, devotion, and gratitude to our Divine Heart-Master, Ruchira Avatar Adi Da Samraj, who is our inspiration. 'I Am The Heart' is His Divine Confession and True Nature, which He Reveals and freely Gives to all. May His Blessings flow through this offering, and touch your heart."

Joining Antonina and Elaine on "Da Adi Da" are Simon Llewelyn Evans (vocals), Pamela Gray (cello), and John Wubbenhorst (bansuti flute).

Special thanks to the other musicians who participated in this offering: Steve M. Haggerty, Simon Llewelyn Evans, Tom Stiles, Pamela Gray, Steve Brown, Bill Somers, and John Wubbenhorst.

I Am The Heart is a wonderful gift for the holidays!

Links:

• Dawn Horse Press (buy CD)


• Amazon (stream / download)


• Apple Music / iTunes (stream / download)

If you enjoy this album, please help us let others know about it! One way is by writing a review on Amazon.com.

You can also read Antonina's leela, Devotional Singing: The Focus Is On The Divine.

Elaine (with Rosa Guilfoyle) has also released another album, The Teaching Manual Of Perfect Summaries, which includes chanting and recitation of Adi Da's Teaching.

Tags: music   CD   download  

[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

This is the beautiful story of how our friend, Cheech Marrero, found Adi Da. Cheech has been around Adi Da for a long time, since the early 1970's, and is a great example of what a person becomes after living a life around a great Spiritual Master like Adi Da.

You can also read Cheech's story here.

Tags: Cheech Marrero   Leela   Free John   Guru   Spiritual   wisdom   community   Italian  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Avatar Adi Dan antama puhe vuodelta 1981, joka käsittelee Aidon Ilon luonnetta ja sen Toteutusta hetkestä hetkeen, joka ei onnistu sitä etsimällä.

This is a video excerpt from Adi Da's classic talk, "The Bodily Location of Happiness", which He gave on November 28, 1981. This talk was originally published in the book, The Bodily Location Of Happiness. The full talk is available on CD and on a new DVD, The Location Of Happiness.

Tags: CD   DVD   Finnish  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Cheech Marrero był jednym z pierwszych uczniów Adi Da. W tej "leeli", czyli opowieści o relacji ucznia z Boskim Guru, Cheech mówi o decydującym momencie w jego relacji z Adi Da Samraj.

This is the beautiful story of how our friend, Cheech Marrero, found Adi Da. Cheech has been around Adi Da for a long time, since the early 1970's, and is a great example of what a person becomes after living a life around a great Spiritual Master like Adi Da.

You can also read Cheech's story here.

Tags: Cheech Marrero   Leela   Free John   Guru   Spiritual   wisdom   community   Polish  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Sanat kuten "vapaus" ja "rakkaus" määritetään yleisesssä maallikkoympäristössä erittäin rajoitetusti. Tässä Adi Dan esseen lausunnassa hän avaa näiden sanojen aitoa merkitystä.

Slides from a Darshan occasion of Avatar Adi Da at Adi Da Samrajashram.

The audio recording is an excerpt from a recitation of Adi Da's essay, "Freedom Is The Only Law and Happiness Is The Only Reality". This is the Epilogue from Adi Da's book, The Truly Human New World-Culture of Unbroken Real-God-Man, which was originally written in 2001, and updated on November 13, 2019. The essay is read by a student of Adi Da. In the secular world, words like "freedom" and " love" are given a very limited definition. In this essay, Adi Da expands the true meaning of both of these words.

ADI DA: I Am here to Divinely Liberate all beings.

I Am here to Grant True Freedom to every one.

“Freedom” is one of the principal words associated with the politics of this “late-time”. The general trend toward the democratization of the entire world carries with it an intensified interest in the concept of freedom and in the pursuit of freedom. However, in the context and circumstance of this “late-time”, the word “freedom” is used in such a way that the true import of the word is lost, and its meaning is transformed, and even vulgarized.

The same process of vulgarization has also occurred in the case of other words, such as (for example) the word “love”. The word “love” represents a profound concept and reality, but the word itself tends to be used very casually. People commonly say that they “love” this or that, meaning something quite different from what the word “love” rightly and truly signifies.

“Love” is a word that rightly refers to the universal Sacrifice of ego-“self”. Real love is a matter of transcending “self” (or going beyond your limitations in relation to others)—but, in the “late-time” circumstance of vulgarized culture, the word “love” has come to be used in relation to whatever satisfies your inclinations, or fulfills your desires, or (otherwise) somehow compensates for limitations in your life by pleasing you and (thereby) supporting your egoic disposition. None of that has anything to do with real love.

So it also is with the word “freedom”, and the notion of freedom. The world-culture of this “late-time” is essentially an ego-culture associated with complications in the first three stages of life. It is essentially an adolescent culture. And it is in the context of that culture that great words like “love” and “freedom” become vulgarized. In the adolescent disposition, the word “freedom”, like the word “love”, is reduced to an egoic meaning. People say they want to be “free”, or want to act “freely”, or want to be “free” to do this or that—but what they actually mean is that they want to be able to fulfill their desires without limitation. An adolescent reacting to parental authority or parental expectations regards any such authority or expectations to be oppressive or limiting. Therefore, such adolescents say that they want to be “free” to do whatever they please. And that is, in general, what is meant in this “late-time” by the word “freedom”. Even in the larger political sphere, the word “freedom” is used to express the (personal, and also collective) intent to be able to fulfill desires—and those desires are (necessarily) fundamentally ego-based.

What does the fulfillment of desires have to do with true freedom? Rightly, the word “freedom” is synonymous with the word “liberation”. To “be free”, or to “be liberated”, means to “go beyond bondage”. The opposite of “freedom” is “bondage”. If one is truly moved to be truly free, one is moved to relinquish (and go beyond) bondage. Such is the true Wisdom-understanding of freedom.

Neither true freedom, nor real love, nor any other great concept is rightly understood via the words and concepts of adolescents. There must be human maturity (and, therefore, growth in Wisdom) for the great meanings underlying these concepts to be understood and actually lived.

Be moved toward real love, without limit. Be moved toward real happiness, without limit.

Be moved toward true freedom, without limit. You should (and, ultimately, must) be so moved. But to actually realize love (or real happiness, or true freedom) without limit, you must deal with yourself most profoundly. You cannot merely be reactive, like an adolescent or a worldly person.

If you want to be truly free, you must first understand that you are bound, and you must understand how you are bound, and then you must do something about that. If, on the other hand, you are merely reactively inclined to fulfill desires, and you want to be (so-called) “free” to do so, then you are not examining your bondage—what its roots are, what its signs are, what its characteristics are—and, if you are not examining your bondage with real discriminative intelligence, you are also not doing what you must do in order to be truly free.

Tags: Finnish