Adi Da Up Close
Audio/Video Library

[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

"Le formiche hanno un ego" ("Ants have an ego") is a video excerpt from a humorous and profoundly insightful Avataric Discourse (given by Adi Da on October 20, 2004 at Adi Da Samrajashram), Adi Da considers the difference between self-consciousness and egoity, referring to both humans and non-humans (including dogs, ants, and trees).

ADI DA: [Laughs] You generally attribute egoity to human beings, but you wonder about everything else. For instance, what about not something relatively inert like a rug or even just standing there and not seeming to be particularly responsive, like a tree. But what about a dog? Is a dog, do you think dogs are egos when you see them, just as readily as you think of human beings as egos? But, why do you draw the line? I mean how far does it go? Where do you stop thinking of living entities, at least, as egos? Do you just presume everything bigger than a cricket is an ego? Or is everything that moves in your, from your perspective experientially or in your natural presumptions, how far do, does the fact of egoity extend in your presumption.

Well, is an ant an ego in your presumption?

The word “ego” is actually a Greek word which means “I”. I consider it with you and talk about it in terms of self-contraction and so forth, but, so that’s the elaboration on its meaning, but the word simply means “I” which means the reference, self-reference, the reflexive, reflexive pronoun as it’s called of self-reference. So, does an ant feel self-referential?

You observe them protecting themselves and struggling with others. Couldn’t do so without some kind of self-consciousness, could it? So, you naturally presume that even something like an ant is, is a self, an ego, self-aware. Does something have to move from its spatial location? Does it have to be able to take a walk or, such as an ant or a human being, or can a tree? Does a tree have self-consciousness, exhibit self-consciousness. . .

What about trees? They are entities with apparent self-consciousness of a kind. They are in that sense, egos. But are they egoic? Are they functioning egoically? Are they feeling that they are in bondage and moved to seek as human beings are and as you feel in your own case, you see? Trees don’t seem to behave, generally speaking, in quite that way. They are self-conscious as organisms, but they don’t seem to be particularly disturbed about being trees. They seem more characterized by some kind of contemplation in which they don’t feel disturbed.

But if you observe non-humans, virtually all of them show signs of setting themselves apart and entering into a contemplative state that resembles some kind of a samadhi or meditative condition.

Why do you think human beings are disturbed? You see, why is human egoity what it is? If you observe how it appears in evidence in non-humans, suggests that human beings are the way they are because they’re confined, and not just confined by walls and bars. Some people are, and they get very disturbed there, and walk back and forth or get catatonic.

Your bondage is your own activity, and it also extends from conditions. Conditions can reinforce or seem to justify self-contraction. But still what you’re suffering is self-contraction itself.

So, human beings are actually confined, and they are self-confined, and otherwise, also, living in various modes and degrees of confinement by conditions of life and in fact, human beings feel confined by bodily existence, because however healthy you may be at the moment, you know you’re going to die, and are potentially, potentially, you could suffer any number of great happenings. And you anticipate that inevitably, you will, sooner or later, experience some fundamental difficulties that you would prefer not to have to endure, including disease and death.

Well, everything that’s physically living is going to die. The trouble, the difference is does it drive you crazy, make you seek, or are you at ease, because you haven’t lost touch with what transcends that possibility?

Tags: Avataric Discourse   Italian  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Awatar Adi Da mówi o konieczności "sadhany", czyli praktyki duchowej, w związku z Urzeczywistnionym Mistrzem Duchowym.

On July 2, 1988, in Land Bridge Pavilion at The Mountain Of Attention, Adi Da gives the talk, "Contemplation, Satsang, Sadhana", which would appear in the May/June 1988 issue of Crazy Wisdom Magazine.

In this excerpt, "Poświęć swoje życie Urzeczywistnieniu Boga" ("Devote Your Life To God-Realization"), Adi Da speaks about the necessity for "sadhana", or spiritual practice, in relationship to the God-Realized Spiritual Master.

"All there is is a mechanism to be dealt with. You're not uniquely born. It's the same mechanism as in all other cases. And, in all cases it requires a tremendous ordeal."

Beginning at 17:30 (and continuing to the end of this video), a formal Darshan occasion is shown.

Tags: Darshan   Polish  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Piosenkarka i autorka tekstów Jacqueline Clemons śpiewa "The Universal World-Prayer", modlitwę o pokój napisaną przez Adi Da Samraj. Muzyka Nicka Milo i Jacqueline Clemons.

Beloved, Inmost Heart of every heart,
do not Let our human hearts be broken
by our merely mortal suffering here —
but Make our mortal human hearts break-Free
to an unconditional love of You,
that we may, Thus, love all living beings
with Love's own True, and Truly broken, Heart.

Composed by Jacqueline Clemons and Nick Milo, and sung by Jacqueline Clemons, this soulful rendition of Adi Da's prayer for world peace, "The Universal World-Prayer", was sung many times at The Parliament of the World's Religions in Cape Town, South Africa, in December, 1999.

The song accompanies a slideshow of pictures of Adi Da.

The song can be found on Jacqueline's album, In the Garden of Fear-No-More.

For more on how Adi Da created The Universal World-Prayer, read our article on the celebration of The Great Sovereign-Avataric Holy Day of Eternally Established World-Blessing.

Adi Da's Universal World-Prayer coincides with His Instructions to not "live the Law backwards": trying to love others (or attempting to bring about world peace), while failing to first love God (and have our love of others be the overflow of our communion with God).

Tags: music   CD   Polish  

[Contains Spanish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

La cantante y compositora Jacqueline Clemons canta "La Oración Universal", una oración por la paz escrita por Adi Da Samraj. Música de Nick Milo y Jacqueline Clemons.

Beloved, Inmost Heart of every heart,
do not Let our human hearts be broken
by our merely mortal suffering here —
but Make our mortal human hearts break-Free
to an unconditional love of You,
that we may, Thus, love all living beings
with Love's own True, and Truly broken, Heart.

Composed by Jacqueline Clemons and Nick Milo, and sung by Jacqueline Clemons, this soulful rendition of Adi Da's prayer for world peace, "The Universal World-Prayer", was sung many times at The Parliament of the World's Religions in Cape Town, South Africa, in December, 1999.

The song accompanies a slideshow of pictures of Adi Da.

The song can be found on Jacqueline's album, In the Garden of Fear-No-More.

For more on how Adi Da created The Universal World-Prayer, read our article on the celebration of The Great Sovereign-Avataric Holy Day of Eternally Established World-Blessing.

Adi Da's Universal World-Prayer coincides with His Instructions to not "live the Law backwards": trying to love others (or attempting to bring about world peace), while failing to first love God (and have our love of others be the overflow of our communion with God).

Tags: music   peace   CD   Spanish  

[Contains Finnish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Laulaja ja muusikko, Jacqueline Clemons, esittää "Yleisen Maailmanrukouksen", Adi Da Samrajin kirjoittaman rauhanrukouksen. Nick Milon ja Jacqueline Clemonsin sävellys.

Beloved, Inmost Heart of every heart,
do not Let our human hearts be broken
by our merely mortal suffering here —
but Make our mortal human hearts break-Free
to an unconditional love of You,
that we may, Thus, love all living beings
with Love's own True, and Truly broken, Heart.

Composed by Jacqueline Clemons and Nick Milo, and sung by Jacqueline Clemons, this soulful rendition of Adi Da's prayer for world peace, "The Universal World-Prayer", was sung many times at The Parliament of the World's Religions in Cape Town, South Africa, in December, 1999.

The song accompanies a slideshow of pictures of Adi Da.

The song can be found on Jacqueline's album, In the Garden of Fear-No-More.

For more on how Adi Da created The Universal World-Prayer, read our article on the celebration of The Great Sovereign-Avataric Holy Day of Eternally Established World-Blessing.

Adi Da's Universal World-Prayer coincides with His Instructions to not "live the Law backwards": trying to love others (or attempting to bring about world peace), while failing to first love God (and have our love of others be the overflow of our communion with God).

Tags: music   peace   CD   Finnish  

In this humorous and profoundly insightful Avataric Discourse (given by Adi Da on October 20, 2004 at Adi Da Samrajashram), Adi Da considers the difference between self-consciousness and egoity, referring to both humans and non-humans (including dogs, ants, and trees).

ADI DA: [Laughs] You generally attribute egoity to human beings, but you wonder about everything else. For instance, what about not something relatively inert like a rug or even just standing there and not seeming to be particularly responsive, like a tree. But what about a dog? Is a dog, do you think dogs are egos when you see them, just as readily as you think of human beings as egos? But, why do you draw the line? I mean how far does it go? Where do you stop thinking of living entities, at least, as egos? Do you just presume everything bigger than a cricket is an ego? Or is everything that moves in your, from your perspective experientially or in your natural presumptions, how far do, does the fact of egoity extend in your presumption.

Well, is an ant an ego in your presumption?

The word “ego” is actually a Greek word which means “I”. I consider it with you and talk about it in terms of self-contraction and so forth, but, so that’s the elaboration on its meaning, but the word simply means “I” which means the reference, self-reference, the reflexive, reflexive pronoun as it’s called of self-reference. So, does an ant feel self-referential?

You observe them protecting themselves and struggling with others. Couldn’t do so without some kind of self-consciousness, could it? So, you naturally presume that even something like an ant is, is a self, an ego, self-aware. Does something have to move from its spatial location? Does it have to be able to take a walk or, such as an ant or a human being, or can a tree? Does a tree have self-consciousness, exhibit self-consciousness. . .

What about trees? They are entities with apparent self-consciousness of a kind. They are in that sense, egos. But are they egoic? Are they functioning egoically? Are they feeling that they are in bondage and moved to seek as human beings are and as you feel in your own case, you see? Trees don’t seem to behave, generally speaking, in quite that way. They are self-conscious as organisms, but they don’t seem to be particularly disturbed about being trees. They seem more characterized by some kind of contemplation in which they don’t feel disturbed.

But if you observe non-humans, virtually all of them show signs of setting themselves apart and entering into a contemplative state that resembles some kind of a samadhi or meditative condition.

Why do you think human beings are disturbed? You see, why is human egoity what it is? If you observe how it appears in evidence in non-humans, suggests that human beings are the way they are because they’re confined, and not just confined by walls and bars. Some people are, and they get very disturbed there, and walk back and forth or get catatonic.

Your bondage is your own activity, and it also extends from conditions. Conditions can reinforce or seem to justify self-contraction. But still what you’re suffering is self-contraction itself.

So, human beings are actually confined, and they are self-confined, and otherwise, also, living in various modes and degrees of confinement by conditions of life and in fact, human beings feel confined by bodily existence, because however healthy you may be at the moment, you know you’re going to die, and are potentially, potentially, you could suffer any number of great happenings. And you anticipate that inevitably, you will, sooner or later, experience some fundamental difficulties that you would prefer not to have to endure, including disease and death.

Well, everything that’s physically living is going to die. The trouble, the difference is does it drive you crazy, make you seek, or are you at ease, because you haven’t lost touch with what transcends that possibility?

Tags: Avataric Discourse  

Audio excerpt from a Discourse given by Adi Da Samraj at Adi Da Samrajashram, on January 7, 1994, accompanied by a slideshow of more recent photographs of Adi Da.

Adi Da leads us to inspect all the unconscious presumptions that determine our sense of what is "real" - including the core presumption of being a separate "self". "Notice the chronic disposition of mistrust and fear that accompanies this core illusion", He says, "and allow your heart to trust What Is Real."

The complete Discourse is available on the CD, The Grace of Trust.

Tags: slideshow  

[Contains Czech subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Ukázka fotografií Adi Da Samráje, od prvních sezení se žáky v roce 1970 až do roku 1986.

České titulky. Dotazy nebo případné komentáře nám můžete zaslat na adidavidea.cz@gmail.com.

A slideshow with pictures of Adi Da Samraj from the early days of His Formal Teaching Work to the 1980's, historical photos covering a broad period of His Work.

Soundtrack is a devotional piece by devotee John MacKay.

Excerpt from First Evening: Track 8 on the DVD, A Tribute to the Life and Work of His Divine Presence, Adi Da Samraj. More than 7 hours long, this Tribute DVD was filmed on the occasion of the first Anniversary of Adi Da's Divine Mahasamadhi, when devotees, family, and friends of Adi Da Samraj gathered at Adi Da Samrajashram, Fiji (Adi Da's principal Hermitage), to acknowledge Adi Da as the Divine in human form, to praise His Greatness, and to express their heart-felt gratitude for the Blessings they have received from Him.

A list of all the tracks on this DVD can be found here.

Tags: slide show   DVD   czech  

As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.

This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.

The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.

Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.

Valeria Patera Valeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.

Valeria Spera. Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.

Tags: Image-Art   music  

[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Przegląd zdjęć Adi Da Samraj od pierwszych dni nauczania w 1970 r do 1986.

Aby uzyskać więcej informacji o Adi Da Samraj i Drodze Serca proszę pisać na adres: adidavideo.pl@gmail.com.

Soundtrack is a devotional piece by devotee John MacKay.

Excerpt from First Evening: Track 8 on the DVD, A Tribute to the Life and Work of His Divine Presence, Adi Da Samraj. More than 7 hours long, this Tribute DVD was filmed on the occasion of the first Anniversary of Adi Da's Divine Mahasamadhi, when devotees, family, and friends of Adi Da Samraj gathered at Adi Da Samrajashram, Fiji (Adi Da's principal Hermitage), to acknowledge Adi Da as the Divine in human form, to praise His Greatness, and to express their heart-felt gratitude for the Blessings they have received from Him.

A list of all the tracks on this DVD can be found here.

Tags: slideshow   Polish  

[Contains Spanish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]

Imágenes del último año de la vida de Adi Da de 2008.

Las fotos están acompañadas por un canto devocional cantado por una de Sus hijas.

The soundtrack is "What Will You Do If You Love Me?", sung by Adi Da's daughter, Naamleela, from her album, Eyes In Other Worlds.

This video clip is an excerpt from Second Evening: Track 2 on the DVD, A Tribute to the Life and Work of His Divine Presence, Adi Da Samraj. More than 7 hours long, this Tribute DVD (more than 7 hours long) was filmed on the occasion of the first Anniversary of Adi Da's Divine Mahasamadhi, when devotees, family, and friends of Adi Da Samraj gathered at Adi Da Samrajashram, Fiji (Adi Da's principal Hermitage), to acknowledge Adi Da as the Divine in human form, to praise His Greatness, and to express their heart-felt gratitude for the Blessings they have received from Him.

A list of all the tracks on this DVD can be found here.

Tags: slideshow   Spanish  

Cheech Marrero was one of Adi Da's earliest devotees. In this video clip, Cheech describes the defining moment in his relationship with Adi Da.

You can read an extended version of Cheech's story here.

After Cheech's story — at 5:18 in the video clip — a slideshow of images of Adi Da begins, followed by a video clip of Darshan of Adi Da at 7:38. The soundtrack for the slideshow and Darshan is Jacqueline Clemons singing her and Nick Milo's composition, Universal World-Prayer, which sets to music the words of Adi Da:

Beloved, Inmost Heart of every heart,
do not Let our human hearts be broken
by our merely mortal suffering here —
but Make our mortal human hearts break-Free
to an unconditional love of You,
that we may, Thus, love all living beings
with Love's own True, and Truly broken, Heart.

The public celebration of Danavira Mela in the Adidam Ashram house in Saddle River, New Jersey, December 18, 2016.

Featured: The Danavira Mela tree, with ornaments depicting scenes from Adi Da's life.

Slideshow editor: Steven Shapiro

Tags: Danavira Mela  

[Show actually begins at 00:56, after a commercial and a brief excerpt from Mozart's Symphony No. 40.]

In this episode of the radio show, A Better World, host Mitchell Rabin conducts a Round Table discussion on the relationship between diet and climate change. He raises the tremendous possibility for both personal-planetary transformation and spiritual growth.

Joining Mitchell are Abel Slater and Dina Lautman. Abel and Dina have been devotees of Adi Da for over 25 years, and have spent significant time in Naitauba, Fiji at Adi Da’s principal Hermitage Sanctuary, Adi Da Samrajashram, where they received direct guidance from Adi Da, both in practical life wisdom and esoteric spiritual practice. Now based in New York, they also travel extensively throughout the world presenting Adi Da's spiritual teachings about right life, including diet, sexuality, meditation and conductivity. Recently, they have been focused on raising awareness about the benefits of the raw vegan diet by promoting Green Gorilla raw treats across the U.S. and around the world.

What occurs at the micro level of each individual's diet is effectively magnified at the macro level of the collective global ecosystem. Today, over 70 billion land animals are killed annually to support human meat consumption. A recent United Nations environmental impact study determined that livestock is the source of 18% of global greenhouse gases, now exceeding emissions from all transportation sources globally, which account for 17% of global greenhouse gases. Meat consumption is growing exponentially and is increasingly jeopardizing the health of the planet. Today’s Round Table will address these issues in depth. This conversation and the information we consider is vital to our personal health and to the collective survival of our species and all sentient life.

From LDM News (brought to you by the Istituto Lorenzo de’ Medici): For the first time ever, the Bargello is hosting a solo show by a contemporary artist, featuring the work of the late Adi Da Samraj.