[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
"Non Si Può Vedere La Stanza Come E'" ("You Do Not See The Room As It Is") is a video excerpt from an Avataric Discourse given by Adi Da at Adi Da Samrajashram, on January 21, 2005. The Avataric Discourse is available on the DVD, Beyond Sex, Science, and self.
In this Discourse, Adi Da explains why Liberation cannot ever be achieved through science or conventional religion.
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This video excerpt, "Non siete voi a Pensare" ("You Do Not Think") is from an Avataric Discourse given by Avatar Adi Da on October 10, 2004, on Adi Da Samrajashram.
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In this video clip from the 1988 talk, "What Is Your Intention?", Adi Da criticizes the "do-it-yourself" approach to spirituality that is popular in the world today, and speaks about why a teacher is necessary.
Adi Da reminds us that, historically, all the world's spiritual traditions have taught that Spiritual Realization requires the help of a Spiritual Realizer. This is actually built into the laws of how Spiritual Realization works, and can't be changed just because times and cultures change, just because we don't happen to like the way the laws work or what they require of us, etc. For this reason, Adi Da makes the point that, nowadays, our resistence to authority, and addiction to "do it yourself" approaches, represent unfortunate hindrances to our own Spiritual growth: if we simply go with the flow and let these culturally instilled programs dominate our life choices, they will keep us from Realizing our greatest destiny.
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Adi Da Samraj risponde compassionevolmente, ma da un punto di vista radicale, ad un devoto che ha perso il nipote.
In "Perdita della Vita e Dolore Umani" ("Loss of Life and Human Suffering"), Adi Da Samraj talks about the pain of loss, and about liberation. This is in response to a devotee's question about the Devotional Prayer Of Changes and the death of the devotee's grandchild.
[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
W tym fragmencie rozmowy ze swoimi uczniami Adi Da Samraj mówi o Urzeczywistnieniu i konieczności praktyki duchowej dzięki której mechanizmy emocjonalno-seksualne wzorców, demonstrowane w ludzkim życiu się w formie egotycznego "własnego ja" i społecznego modelu "ja i inni" mogą być poznane, a w Praktyce Doskonałej ulegają transcendencji.
In this Adidam Revelation Discourse from January 21, 2005, Adi Da reveals that Liberation cannot ever be achieved through sex, science, or religion! And He makes the astounding assertion, “Realization has nothing to do with the body-mind.”
Watch this DVD for Adi Da's Instruction on True Freedom, which He says is discovered only in the utter transcending of “point of view”, by means of the Transmission of Reality Itself. "The 'self'-contraction, the 'point of view', the 'point-of-view'-machine and what it presumes to be Reality, the illusions of Reality created by 'point of view' — these are the important matters to be understood. The 'you' to which you refer as 'I', the ego-'I', is a 'point-of-view'-machine. It is subject to the illusions of the cosmic apparition, the illusions that 'point of view' itself is subject to — space-time, mass, and so forth."
The DVD, Beyond Sex, Science, and "self", is available from The Dawn Horse Press. Subtitles in English, Spanish, French, Italian, German, Dutch, Russian, Polish, Czech, and Hebrew. A CD version is also available.
On July 21 and 22, 2014, The Florence Dance Company performed the multimedia dance event, Quattro Maggiore ("Four Seasons") — set to the music of Vivaldi (his most well-known work, "Quattro Maggiore", performed live) and the art of Adi Da Samraj. The venue was the courtyard of the historic Bargello Museum in Florence.
This video clip provides an introduction to the place (Florence), the dancers, the musicians, the art (images from Adi Da's Geome One: Alberti's Window, in four different colorings for the four seasons), and the costumes (which were color-coordinated with the art).
Also in this clip: Italian art critic, Giuliano Serafini (author of Matisse e il Mediterraneo and Goya, praises the combination of music, dance, and art: "It's the best!". Serafini, Keith Ferrone (director of the Florence Dance Company), and Ruchiradama Nadikanta all note the technological advance represented by the LED lighting in the back panels, that brought out the color in Adi Da's art to a far greater degree than in previous performances (assisted by new fabrications of Adi Da's art), and enlivened the dancers' performance.
Ruchiradama Nadikanta: "Absolutely exquisite! . . . It was one symphony — of dance, and art, and music. . . Adi Da was immensely present, infusing every note and every step, as well as shining through His extraordinary Art. . . You feel [the dancers] really dancing to the Art."
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"Quello che Accade Dopo la Morte E' Determinato dal Come Si E' Vissuti" ("What Happens After Death Is Determined By the Way You Live") is published as "After Death, Mind Makes You", in the book, Easy Death. It is from a talk given by Adi Da on December 12, 1988 at Adi Da Samrajashram.
In this sobering discourse, Adi Da speaks of the condition after death in which mind determines one's circumstance, without the limitations of the body, brain and unconsciousness. He addresses the fact that where one's attention is fixed during life affects attention and destiny after life. He recommends that devotees direct their attention to sadhana so that the purification process gives one wisdom that frees one from karmic limitations.
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"Questo Posto Non E' Utopia" ("This Place Is Not a Utopia") is an excerpt from an Avataric Discourse given by Adi Da Samraj on October 6, 2005, at the Mountain Of Attention Sanctuary.
ADI DA: "I find people's sorrows and losses to be heartbreaking and terrible and an immense burden and I am sympathetic and bless people in their trouble. However you must understand that is the nature of this place. This is not utopia, it is not paradise. It is a place of death, endings, suffering, brief amusements. It is not enough and merely to react to your difficulties for overlong and try to make an entire life out of it is fruitless. You do have to move on beyond that reaction to any moments suffering and loss. You must know the place you’re in and live in accordance with that knowledge instead of being sympathetic with some false view of the world or self or trying to idealize some aspect of potential experience, indulging in what amounts to addictions, repetitions of experiences, in order to avoid the knowledge of what is inherent in life, as well as all the hell that is coming on earth and is here. You will not be fulfilled.”
Adi Da Samraj talks about the pain of loss, and about liberation. This is in response to a devotee's question about the Devotional Prayer Of Changes and the death of the devotee's grandchild.
This video excerpt is from the DVD, Easy Death. Subtitles in English, French, Italian, German, Dutch, Polish, Czech, and Hebrew.
poster: Wisdom Tools for Humanity length: 04:59 date added: March 26, 2017 event date: January 21, 2005 language: English views: 4754; views this month: 33; views this week: 12
Adi Da: "Sex is fundamental ego-identity, lived. And generally speaking, it is a problem for everyone. . . The social pattern of 'self' and 'other' is founded upon emotional-sexual patterning to a very great degree. . . So it certainly is an important dimension of bondage, and therefore an important aspect of sadhana. The Perfect Practice is not based on any reference to the body-mind, or any method of the body-mind."
In this Avataric Discourse (from January 21, 2005), Adi Da explains why the Perfect Practice (the most advanced development of the Way of Adidam) has nothing to do with sex (or the ego-"I" altogether), and is not a "method" of the body-mind or something to be applied to the body-mind. The Self-Condition prior to the body-mind is the domain of the Perfect Practice. The Self-Condition is not a separate "self", but the Nirvanic Condition that is always already the case, and that inherently transcends the body-mind.
This excerpt is from the DVD, Beyond Sex, Science, and self. Subtitles in English, Spanish, French, Italian, German, Dutch, Russian, Polish, Czech, and Hebrew.
Spectra Suite poster: Francesco Rampichini length: 10:36 date added: August 2, 2017 event date: 2008 language: English views: 4628; views this month: 36; views this week: 18
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
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Isabelle Trudeau, a devotee of Adi Da, talks about the process by which she recognized Adi Da as her Spiritual Master and about her decision to formally take up the Way of Adidam.
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Isabelle Trudeau, studentka Adi Da mówi o procesie, dzięki któremu rozpoznania Adi Da jako jej Mistrza duchowego i o jej decyzji formalnego wstąpienia na Drogę Serca.
Isabelle Trudeau, a devotee of Adi Da, talks about the process by which she recognized Adi Da as her Spiritual Master and about her decision to formally take up the Way of Adidam.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Stanley Hastings talks about his childhood and adolescence growing up in the Adidam community. Like many other young people, as a teenager, he decided to see for himself what the world had to offer. After several years of experimenting, he decided to return to Adi Da and the Way of life He offered — to fully participate again in the life of the community and to serve Adi Da directly.
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Devotee Antonina Randazzo talks about Adi Da's passing and His Eternal Presence, and how He assured devotees that He would never leave them, and how she can confirm this in her own life.
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