Chaconne poster: CraneKirkbride length: 05:03 date added: November 7, 2010 language: English listens: 3417; listens this month: 11; listens this week: 6
Liquid Light is a sequel of a kind to Crane's earlier album, Infinite Well. It is more ambitious, including new devotional songs by John Mackay, who also produced this album, a Chaconne by Louis Rozier, several classical pieces set to Words by Adi Da Samraj, even the duet from "The Pearlfishers!" Katharine DeBoer, Roger Ohlsen and Mel McMurrin join Crane as vocalists for this album, which also introduces some fine instrumentalists. Every song except "If You Keep Too Many Cats" has been offered to Avatar Adi Da in a "Sacred Offering".
Prelude II poster: DawnHorsePress length: 02:24 date added: November 7, 2010 event date: 2000 language: English listens: 5241; listens this month: 17; listens this week: 9
Adi Da Samraj has often praised J.S. Bach as one of the truly authentic composers of sacred music in the Western tradition. In this album, Naamleela Free Jones and several other devotees of Adi Da Samraj (the John Mackay Trio) create jazz interpretations of several of Bach's classic piano preludes. This music invokes a sacred sphere of Happiness inspired by Adi Da's great Love and Blessings.
Invocation poster: DawnHorsePress length: 06:09 date added: November 7, 2010 language: English listens: 4755; listens this month: 17; listens this week: 9
Naamleela Free Jones and Tamarind Free Jones have a unique sensitivity in their invocation of Adi Da Samraj, as they have been chanting and practicing sacred music together in His Company since an early age. This album features a beautiful selection of their original devotional chants written and offered on Naitauba Island, 2004.
Mantras in Harmony poster: DawnHorsePress length: 01:12 date added: November 7, 2010 language: English listens: 4620; listens this month: 14; listens this week: 5
“Mantras in Harmony” — excerpt from track 3 of the album, Da Naama Mantra.
Naamleela Free Jones collaborates with dhrupad singer Felix Woldenberg in this beautiful mantric album. Together they chant 80 variants of the Da Naama Mantra with uniquely skilled intonation, unfolding from traditional alap through rhythms and modern harmonies. This is a special form of contemplation, especially for those who know of Adi Da Samraj.
Reverie poster: DawnHorsePress length: 04:23 date added: November 7, 2010 language: English listens: 3707; listens this month: 11; listens this week: 6
Made by Naamleela Free Jones as a gift for Adi Da Samraj and recorded in honor of the 10th anniversary of her first CD, Hers To Me. Again, for this second album, she chose many of her favorite pieces that she has played for Adi Da Samraj over the years.
Forehead, Breath, and Smile poster: DawnHorsePress length: 05:20 date added: November 7, 2010 language: English listens: 4458; listens this month: 21; listens this week: 11
Produced in 2005, this album is one of Naamleela's most original and creative musical works. The songs were composed over a period of five years, to the ecstatic sacred poetry of Adi Da Samraj. Bringing together her training in both Eastern and Western music, and featuring several guest artists, a unique environment of natural and modern sounds, and the talents of Grammy-nominated producer Damian Taylor, the result is an exquisite melding of words, meaning, music, and beauty.
This Is My Form poster: DawnHorsePress length: 07:27 date added: November 7, 2010 language: English listens: 3071; listens this month: 13; listens this week: 5
poster: DawnHorsePress length: 10:44 date added: November 6, 2010 event date: December 11, 2005 language: English listens: 7032; listens this month: 18; listens this week: 9
This is a track from the CD, The Ribhu Gita, the first volume in The Gnosticon Discourse Series from the Dawn Horse Press.
In a historic occasion at Walk About Joy (near Tat Sundaram Hermitage) on December 11, 2005, Avatar Adi Da Samraj reads His own renderings of portions of the epitome Non-dualist text, The Ribhu Gita. He then offers illuminating Instruction on the specific distinctions between the revelation communicated in this great text and the “Perfect Practice” of Adidam.
The collection of Avatar Adi Da’s renderings and related discourses became the seed of His book, The Gnosticon, in which He thoroughly examines the Transcendental Teachings of the ancient Sages in relation to His Transcendental Spiritual Way of Adidam.
Hear My Heart Call poster: DawnHorsePress length: 03:56 date added: November 6, 2010 language: English listens: 4963; listens this month: 22; listens this week: 8
The Dawn Horse Press has released a new CD from Naamleela Free Jones, Hear My Heart Call, an album of improvisatory “piano chants”, featuring beautiful piano interpretations of devotional songs.
This is Naamleela's first solo album of original piano music. It is a richly expressive album of piano improvisation based on the melodies of devotional chants. Many of the melodies are familiar to friends and devotees of Adi Da Samraj, and all were offered in His Company on numerous occasions over the last thirty or more years. In this unique album, Naamleela spontaneously brings to life the devotion in these chants, subtly reinterpreting them as beautiful piano pieces filled with love and profound heart feeling.
The song heard here is "Paramahansa". Click here to hear Jaya's version of this song.
Light Imagery created by Ute Posegga-Rudd against the backdrop of music and chanting from the Adidam Music Guild, based on the Word of Adi Da Samraj. "There is Only Light" is by John Mackay, from his album, Danavira.
There Is Only Light poster: 2012spirit length: 05:06 date added: October 29, 2010 language: English views: 5752; views this month: 27; views this week: 12
Light Imagery created by Ute Posegga-Rudd against the backdrop of music and chanting from the Adidam Music Guild, based on the Word of Adi Da Samraj.
"There is Only Light" is by John Mackay, from his album, Danavira. It draws on the Qawwali tradition of Sufi devotional music (exemplified by Nusrat Fateh Ali Khan). Read Adi Da's appreciation of the Qawwali musical tradition here.
poster: AdidamPodcasts length: 20:50 date added: October 5, 2010 event date: 1976 language: English listens: 9329; listens this month: 37; listens this week: 12
Adi Da Samraj communicates his "Bright" Realization and the purpose of His liberating work through poems He wrote between 1971 and 1976, published in the book, Crazy Da Must Sing.
On August 12, 1982 (two weeks after writing the last poem), Adi Da read aloud the collected poems from Crazy Da Must Sing to a group of His devotees in a single session. His recitations of some of those poems are included in this podcast. A recording of the entire occasion (with His reading of all the poems) is available on this CD from the Dawn Horse Press.
poster: AdidamPodcasts length: 10:25 date added: October 5, 2010 event date: April 1986 language: English listens: 8056; listens this month: 27; listens this week: 7
In this historical recording from April, 1986, Adi Da Samraj recites the final section of His Love-Ananda Gita (now called The Lion Sutra and published in Part 15 of The Aletheon). In it, Adi Da communicates His most "radical" transcendental teaching regarding true renunciation of the egoic motive of separation and Realization of the Divine Self-Condition.
poster: AdidamPodcasts length: 23:52 date added: October 4, 2010 event date: 2008 language: English listens: 7569; listens this month: 20; listens this week: 8
On November 27, 2008, Adi Da Samraj passed from His body in His Hermitage Sanctuary in Fiji. This extended podcast includes:
* a chronicle of His passing;
* 8:37: an audio excerpt from a talk Adi Da gave in 1995, in which He spoke about His physical death and the continuation of His spiritual and world work;
* 16:43: continuation of the chronicle of His passing. Interviews with devotees who made the pilgrimage to Naitauba shortly after Adi Da's passing.
Achille Bonito Oliva speaks (Italian) at the opening of Adi Da Samraj's solo exhibition, 'Orpheus and Linead', at Sundaram Tagore Gallery, New York - September 9, 2010. Translated by Teresa Romero.
"Adi Da has a flexibility in his expression that encompasses all the art forms and techniques of the East and West. His work is a multiplication of space in time and time in space.... He's like a barman shaking Western space in the fluidity of Eastern concepts and forms. Adi Da wants to ultimately affirm art as a form of, a spiritual representation of the Divine nature of man, which can articulate a new vision of space and a new vision of time. This relationship between the East and West is very important. In a historical moment such as this, it is important to affirm, as a fundamental value of art at this time, the coexistence of differences."
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. He then offers illuminating Instruction on the specific distinctions between the revelation communicated in this great text and the “Perfect Practice” of Adidam.
