poster: AdiDaVideos speaker: Stanley Hastings length: 25:06 date added: March 31, 2015 event date: November 29, 2009 language: English views: 10595; views this month: 82; views this week: 20
This video appreciation of Adi Da's Image-Art begins with a testimonial from devotee Stanley Hastings, who grew up in the Adidam community and is the Co-Director of Da Plastique (the group that presents Avatar Adi Da's Art to the public), and who worked with Adi Da on His Divine Image-Art.
Then, at 9:34, we hear various art professionals express their appreciation of Adi Da's Image-Art.
This is followed (at 13:14) by a slideshow of photos drawn from some the Exhibitions of Adi Da's Image-Art, from 2001-2009.
The video concludes (at 18:58) with a slideshow of photos of Adi Da creating His Image-Art from 1998-2008. Background music is Naamleela Free Jones, "I Served to Priest the Pharaohs", from her album, Eyes In Other Worlds.
Is an ant an ego? poster: AdiDaVideos length: 18:44 date added: August 10, 2018 event date: October 20, 2004 language: English views: 2425; views this month: 65; views this week: 24
In this humorous and profoundly insightful Avataric Discourse (given by Adi Da on October 20, 2004 at Adi Da Samrajashram), Adi Da considers the difference between self-consciousness and egoity, referring to both humans and non-humans (including dogs, ants, and trees).
ADI DA: [Laughs] You generally attribute egoity to human beings, but you wonder about everything else. For instance, what about not something relatively inert like a rug or even just standing there and not seeming to be particularly responsive, like a tree. But what about a dog? Is a dog, do you think dogs are egos when you see them, just as readily as you think of human beings as egos? But, why do you draw the line? I mean how far does it go? Where do you stop thinking of living entities, at least, as egos? Do you just presume everything bigger than a cricket is an ego? Or is everything that moves in your, from your perspective experientially or in your natural presumptions, how far do, does the fact of egoity extend in your presumption.
Well, is an ant an ego in your presumption?
The word “ego” is actually a Greek word which means “I”. I consider it with you and talk about it in terms of self-contraction and so forth, but, so that’s the elaboration on its meaning, but the word simply means “I” which means the reference, self-reference, the reflexive, reflexive pronoun as it’s called of self-reference. So, does an ant feel self-referential?
You observe them protecting themselves and struggling with others. Couldn’t do so without some kind of self-consciousness, could it? So, you naturally presume that even something like an ant is, is a self, an ego, self-aware. Does something have to move from its spatial location? Does it have to be able to take a walk or, such as an ant or a human being, or can a tree? Does a tree have self-consciousness, exhibit self-consciousness. . .
What about trees? They are entities with apparent self-consciousness of a kind. They are in that sense, egos. But are they egoic? Are they functioning egoically? Are they feeling that they are in bondage and moved to seek as human beings are and as you feel in your own case, you see? Trees don’t seem to behave, generally speaking, in quite that way. They are self-conscious as organisms, but they don’t seem to be particularly disturbed about being trees. They seem more characterized by some kind of contemplation in which they don’t feel disturbed.
But if you observe non-humans, virtually all of them show signs of setting themselves apart and entering into a contemplative state that resembles some kind of a samadhi or meditative condition.
Why do you think human beings are disturbed? You see, why is human egoity what it is? If you observe how it appears in evidence in non-humans, suggests that human beings are the way they are because they’re confined, and not just confined by walls and bars. Some people are, and they get very disturbed there, and walk back and forth or get catatonic.
Your bondage is your own activity, and it also extends from conditions. Conditions can reinforce or seem to justify self-contraction. But still what you’re suffering is self-contraction itself.
So, human beings are actually confined, and they are self-confined, and otherwise, also, living in various modes and degrees of confinement by conditions of life and in fact, human beings feel confined by bodily existence, because however healthy you may be at the moment, you know you’re going to die, and are potentially, potentially, you could suffer any number of great happenings. And you anticipate that inevitably, you will, sooner or later, experience some fundamental difficulties that you would prefer not to have to endure, including disease and death.
Well, everything that’s physically living is going to die. The trouble, the difference is does it drive you crazy, make you seek, or are you at ease, because you haven’t lost touch with what transcends that possibility?
In this excerpt from a never-before-published discourse, Adi Da speaks about the necessity to become disillusioned with mortal life in a positive sense. Positive disillusionment is emerging when one begins to understand and relinquish the stressful and ultimately futile search for personal survival, worldly happiness, and ultimate life fulfillment. Only then can one be drawn into recognizing, learning about, and ecstatically participating in Reality Itself, in relationship to a True Realizer.
poster: AdiDaVideos length: 07:42 date added: November 4, 2012 event date: August 30, 2004 language: English views: 5102; views this month: 39; views this week: 13
A video excerpt from part 6 ("The Glasses of Consciousness") of the DVD, You Are The Question You Ask, which was drawn from Adi Da's Avataric Discourse of August 30, 2004.
Adi Da talks about how human beings presume that they are just a body and a mind, and this creates the mistaken sense of separation from others and the Divine.
poster: AdiDaVideos speaker: James Steinberg length: 02:30 date added: May 20, 2020 language: English views: 1283; views this month: 50; views this week: 21
"You Become What You Meditate On" is a video excerpt from the award-winning documentary, Conscious Light, about the life of Adi Da Samraj. Drawing on an extensive archival collection of film, photography, and audio recordings, as well as interviews with students who have lived with Adi Da and who practice His teachings. Conscious Light takes the viewer on a journey from Adi Da's birth, through His thirty-six years of Teaching and Blessing, to the legacy and spiritual relationship that is eternally available to all after His passing.
"You Must Know The Place You Are In" is a video excerpt from the award-winning documentary, Conscious Light, about the life and work of Adi Da Samraj.
Drawing on an extensive archival collection of film, photography, and audio recordings, as well as interviews with students who have lived with Adi Da and who practice His teachings, Conscious Light takes the viewer on a journey from Adi Da's birth, through His thirty-six years of Teaching and Blessing, to the legacy and spiritual relationship that is eternally available to all after His passing.
[Contains Dutch subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
In dit fragment van een nooit eerder gepubliceerde toespraak, spreekt Adi Da over de noodzaak in positieve zin gedesillusioneerd te raken met het sterfelijke bestaan. Positieve desillusie ontstaat als je het stressvolle en uiteindelijk futiele zoeken naar persoonlijk overleven, werelds plezier en ultieme levensvervulling begint te begrijpen en los te laten. Alleen dan kun je aangetrokken worden tot het herkennen, leren over en extatisch deelnemen in de Werkelijkheid Zelf in relatie met een Werkelijk Verlichte.
In this excerpt from an Avataric Discourse, Adi Da speaks about the necessity to become disillusioned with mortal life in a positive sense. Positive disillusionment is emerging when one begins to understand and relinquish the stressful and ultimately futile search for personal survival, worldly happiness, and ultimate life fulfillment. Only then can one be drawn into recognizing, learning about, and ecstatically participating in Reality Itself, in relationship to a True Realizer.
ADI DA: The teaching of Truth is for those who are disillusioned in the positive sense, who have been sobered in their lives by grasping the nature of existence and being cured of search.
Guru as Prophet poster: belleislesound length: 58:23 date added: February 8, 2020 event date: December 23, 1973 language: English views: 1623; views this month: 79; views this week: 29
A talk by Avatar Adi Da titled "Guru as Prophet", given on December 23, 1973. The full talk is available on the double CD, Money, Food, and Sex / Guru as Prophet. A written version of this talk is available in the book, My "Bright" Word.
In this talk, Adi Da distinguishes between the Spiritual function and the "prophet" function of the True Guru. As prophet, the Guru offends, criticizes, and undermines the usual ego-based life by confounding the search and the need for consolation and fascination. This process works to bring about a crisis of understanding in anyone not yet involved in the real Spiritual process.
Adi Da explains that teachings about ordinary life or even about Spiritual life tend to console the seeker in some way, exploiting the search for self-fulfillment. But contact with the True Guru frustrates the seeker instead, and draws the individual into the feeling of dilemma that is at the root of his or her search. This serves the crisis that must precede the real Spiritual process whereby the True Guru's Spiritual Function may be discovered.
Later in the Discourse, Avatar Adi Da returns to the primary theme of the Guru-devotee relationship. When the ego-frustrating process is engaged as Satsang, or relationship to the Guru, then present Realization of the Divine can be Awakened by Grace, and the real Spiritual process can begin.
ADI DA: To the extent that I appear in public at all—for example, by writing books, or even simply by the existence of the gathering of My devotees in this world—My visible Role can only be that of Prophet. I do not serve people's random needs to be fulfilled, to be consoled, to be fascinated. Every individual who is moved to Realize Real God, Truth, and Reality in My Avataric Divine Company must approach Me as My formally practicing devotee—and, in every such case, the usual egoic process will (and must) be Offended, Criticized, and Undermined by Me.
As the Avataric Incarnation of the Very Divine Person, I must be Paradoxical, I must be Free—in order to Serve the Divine Liberation of My devotees. The qualities of My Avataric Divine Activity cannot be predetermined. I do not consistently assume the qualities of any particular archetype—the holy man, the Yogi, the Sage. I must be Free to Appear as I will. I am always Acting to Undo the egoic life of My devotees—even if only by Merely Being Who I Am.
[Contains Polish subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
Klasyczny dyskurs Awatara Adi Da z 1981 r. Adi Da rozważa naturę prawdziwego szczęścia i tego, jak nie szukając szczęścia można je realizować w każdej chwili.
"Gdzie umiejscowione jest szczęście?" ("Where is happiness located?") is a video excerpt from Adi Da's classic talk, "The Bodily Location of Happiness", which He gave on November 28, 1981. This talk was originally published in the book, The Bodily Location Of Happiness. The full talk is available on CD.
The talk communicates several core insights:
1. Everybody is intuitively familiar with happiness. You don't have to be a devotee of Adi Da! This was part of the reason Adi Da chose "happiness" as the focus of this Teaching period: because the subject was so accessible. Everyone knows what it's like to be happy (at least a little). It's just that most people are not aware that Perfect, Eternal Happiness is possible and Realizable. (And it certainly isn't, through ordinary human means.) Adi Da: "All beings are always already Happy. You always know, at this very moment you know exactly, what it would be to look and feel and be and act completely Happy." The esoteric reason everyone is familiar with happiness is because everyone is always, already happy. And the esoteric reason everyone yearns for complete happiness is because complete happiness is realizable — and everyone's heart knows that.
2. Adi Da's "Lesson of Life":"You can't become happy; you can only be (already) happy." People are always seeking for happiness. The "pursuit of happiness" (not happiness itself!) is even enshrined as an "unalienable right" (alongside life and liberty) in the preamble of the United States Declaration of Independence. Its author, Thomas Jefferson, knew better than to think a government could guarantee happiness itself — hence only the guarantee of "the pursuit of happiness". Only a Divine Incarnation can guarantee Happiness Itself.
Adi Da reveals that happiness is the native state of beings. It is already the case. Every attempt to seek for it (mis-identifying the source of happiness as some object or other) in fact serves to dissociate one from it. Adi Da: "You think that you can seek Happiness and find it. Your search for Happiness is itself a confession of un-Happiness. You cannot realize Happiness by persisting in un-Happiness, persisting in the method of un-Happiness. All seeking is an expression of un-Happiness, all seeking is the method of un-Happiness, the practice of un-Happiness. This must be understood. It is not merely true — it must be understood."
Self-understanding allows one to get this point. Based on self-understanding, one can devote oneself to Happiness rather than to seeking for It and settling for the little bit of Infinite Happiness that "bleeds through" the clench of ego into conditions. This ultimately enables the Eternal Realization of Infinite, Perfect Happiness. Adi Da: "Understand your un-Happiness. Then you will be capable of locating Happiness, and, having located Happiness, you will be capable of practicing the Way of Adidam, which is nothing but the devotion of life to Happiness."
3. The Transmission of the Divine Guru is How One Locates Happiness. The subtitle of the book, The Bodily Location Of Happiness, is: "On the Incarnation of the Divine Person and the Transmission of Love-Bliss". In other words, you can't apply "The Lesson of Life" by somehow "locating" happiness directly, by yourself (or in yourself). Happiness is our native state, but that doesn't mean it can be located by an egoic, "do it yourself" process. We locate happiness directly as a Grace-given Gift, through devotion to the Transcendental Spiritual Transmission of Adi Da. Adi Da: "Happiness is presently the case. In this moment you are already Happy. Sitting with Me, locate this Happiness." We locate our "Native State" by recognizing and submitting to our "Native Person" — our Very Self appearing here in bodily (human) form.
4. It is a Process of Whole Bodily Location. "The bodily location of Happiness" is not primarily a reference to some place where Happiness resides in the body (although Adi Da teases His listeners with this idea: "Look for it in your toes, in your fingers, in your shirt, in your head"). It refers to a process ("the bodily location of Happiness" = "the locating of Happiness with the whole body-mind") that involves the surrender and transformation of every aspect of the body-mind, immersed in the Perfectly Happy State of the Divine Guru, through recognition of Him as the Divine in every moment. Then the secondary and supportive practices of the Way of Adidam become means for staying immersed in that Divine State in every moment: "Having located Happiness [having recognized Adi Da as the Divine], you will be capable of practicing the Way of Adidam, which is nothing but the devotion of life to Happiness [Adi Da, recognized as the Divine]. The practices of this Way are not methods for attaining Happiness, but they are the expressions of Happiness. The disciplines of money, food, and sex are not a way to become Happy. Discipline is difficult enough — why should we also burden it with the obligation to make us Happy!"
poster: CDBaby speaker: Pauline Chew length: 05:20 date added: February 21, 2022 language: English views: 887; views this month: 101; views this week: 32
May You Ever Dwell In Our Hearts is a deeply moving, sacred, contemplative CD that celebrates Adi Da's Life of Love and Blessing. This tribute to Adi Da Samraj includes music from many different genres, ranging from Indian classical to jazz to world music and other contemporary styles.
With over two hours of devotional songs filling this double CD, you can listen to pieces composed and performed by many devotee artists, including Naamleela Free Jones, Tamarind Free Jones, Ray Lynch, John Wubbenhorst, John Mackay, Sally Howe, Crane Kirkbride, Antonina Randazzo, Katya Grineva and many others.
Some of the twenty-five pieces on May You Ever Dwell In Our Hearts were written and offered in the days immediately following Adi Da's Passing on November 27, 2008, or in the year-long period of formal mourning that followed. Other songs were offered to Him in person during His Lifetime. This CD also contains new songs never released before by Naamleela, Tamarind, and other musicians.
poster: DawnHorsePress length: 04:02 date added: December 11, 2014 event date: December 8, 1976 language: English listens: 3873; listens this month: 32; listens this week: 13
An audio excerpt from Adi Da's talk, "Identification of the Beloved". This talk is now available on a CD from the Dawn Horse Press.
Adi Da draws us into noticing the true nature of this world, in which we find the Beloved — the True Loved One — only in its passing forms. This leads to attachment to what is temporary, generating a constant cycle of reaction and seeking for a Happiness that will overcome death. Adi Da Admonishes everyone to find the True Beloved, in Its Eternal Form — our True Condition — if Happiness is to be truly found.
This brief excerpt is from Track 2, "Ruchira Avatara". This was recorded during the first sacred occasion in the temple, Is-Da Happen, after the cyclone. (More information about album tracks here.)
Proceeds from this album will go toward equipment for Sacred music at Adi Da Samrajashram (e.g., better amplifiers, microphones, etc.).
[If you enjoy this album, help us let others know about it! Write a review on Amazon.com or CD Baby.]
The exquisite devotional offerings on Radiance bring us all directly to Bhagavan's Holy Feet at His Great Hermitage and remind us that, despite the damage wrought by the cyclone, His Divine Presence remains Sublimely Untouched and Present there. Devotees and friends from all over the world came together to serve and restore the Holy Places and we offer this Sacred music at His Blessed Feet with all our love and devotion. All the recordings were made by the Adidam Sacred Music Guild during live occasions in the various Temples on Naitauba.
The painting by Nara Wood on the CD cover is of the "chanting room" at Samraj Mahal (on Adi Da Samrajashram), where countless musical offerings were made to Avatar Adi Da during His Lifetime when He was spending time there.
The Grace of Suffering poster: DawnHorsePress length: 03:48 date added: November 26, 2015 event date: January 18, 1976 language: English listens: 2769; listens this month: 31; listens this week: 16
This clip is an excerpt from Adi Da's talk, "The Grace of Suffering", which was given on January 18, 1976. In this talk, Adi Da describes how sensitivity to one's own suffering is the beginning of real ego-transcending practice. Such sensitivity moves an individual out of the usual life of effort and search, into inspection of the nature of existence and availability to Him as Divine Guru. Adi Da reveals the real nature of suffering—the action of ego—and draws the individual beyond egoic suffering into the True Source-Condition.
Additional (videoed) excerpts from this talk are available here and here.
poster: DawnHorsePress length: 08:00 date added: February 27, 2014 event date: August 20, 2004 language: English views: 5826; views this month: 34; views this week: 10
A video excerpt from part 1 ("A Question Too Boring to Answer") of the DVD, You Are The Question You Ask, which was drawn from Adi Da's Avataric Discourse of August 30, 2004.
In addition to some of His most potent Instruction about the nature of devotional turning to Him (previously only available on CD), in this DVD, Avatar Adi Da addresses a broad range of topics including:
how questions themselves are a signal of the ego-activity that is at the root of the questioner's suffering and seeking
practice in the later phase of life
the great potential for unity in this “dark time” of pervasive conflict
Spectra Suite poster: Francesco Rampichini length: 10:36 date added: August 2, 2017 event date: 2008 language: English views: 4686; views this month: 87; views this week: 37
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
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