On November 25, 2004, at Adi Da Samrajashram, one of Adi Da's devotees asks Him: "Is there any way to know . . . what is the relationship of ancient Realizers to the traditions that they were associated with?"
Avatar Adi Da responds by illustrating the process of myth-making around Realizers, both in ancient and modern times. He explains that, regardless of what is historically true of any Realizer, any tradition can be understood in terms of the underlying structure of the human being. Throughout the Discourse, Adi Da makes use of examples from numerous traditions including Buddhism, Hinduism, Judaism, and Christianity.
Adi Da: "Traditions do not really depend on there having been an historical individual, whether or not there was one. They can nonetheless still be understood in terms of the structure of the psycho-physical anatomy. And the psycho-physical anatomy, not mythology extending from it, but the psycho-physical anatomy itself — and this is My Instruction to you, to all — that structure itself determines what is regarded to be religious truth, or esoteric truth. Underneath it is a structure, not merely Truth. That structure must be transcended, or there is not Truth Realized."
In this excerpt, Adi Da specifically talks about the Christian tradition, and the importance of distinguishing a "faith" (or system of beliefs) from factual observations of phenomena throughout recorded history.
poster: AdidamRevelationMagazine length: 08:27 date added: November 23, 2013 event date: October 12, 2004 language: English views: 4979; views this month: 27; views this week: 16
The CD, The Master Is The Means, is a compilation of talks in which Avatar Adi Da describes the spontaneous heart-response to the Spiritual Master as the great, effective, and anciently known Means of Spiritual Awakening.
By exposing the true nature of ego, and pointing out our false and limiting presumptions about Spiritual Masters, Avatar Adi Da enables a free consideration of what is truly needed to Realize the Truth of our Condition. He provides a traditional context for the purpose of His human Form here, while also communicating the utterly unique appearance and offering He Is.
This is track 9 of the CD.
This audio excerpt, "Divine Realization Is a Gift", is from October 12, 2004. Here Avatar Adi Da states clearly that the Divine must be Self-Revealed by Grace. No method, no technique, no form of seeking of any kind is the means to Realize the Divine. All such seeking is simply evidence of contraction upon the separate "self" — which is the continuous, unsurrendered gesture of ego.
The essence of Adidam is, instead, living in the present Company of the Divine, turning whole bodily to that Divine Reality Appearing as Avatar Adi Da — and through that turning, being moved by Grace to His Perfect State of Divine Reality and Truth.
poster: DawnHorsePress length: 05:49 date added: June 23, 2012 event date: June 20, 1972 language: English listens: 4938; listens this month: 27; listens this week: 16
An excerpt from "The Avon Lady", a humorous and penetrating Discourse from the very earliest years of Avatar Adi Da’s Teaching-Work. Adi Da explains how there is no search and no dilemma when one is in Satsang (the company of the Guru).
poster: SanctuaryKitchen speaker: Douglas Short length: 01:54 date added: January 13, 2011 event date: January 13, 2010 language: English views: 4914; views this month: 28; views this week: 18
In keeping with Adi Da's recommendation that devotees eat a maximally raw diet [see Adi Da's Green Gorilla], Douglas Short, the head chef at First People (The Mountain Of Attention Sanctuary kitchen), instructs us on how to peel a kiwi (the fruit).
poster: AdidamPodcasts length: 16:53 date added: March 17, 2012 language: English listens: 4904; listens this month: 25; listens this week: 15
Adi Da Samraj responds to a question from a devotee who had lost a grandchild and was asking for some understanding that might ease his sorrow. Adi Da describes how there is no answer to the pain of loss, except for Divine Realization.
The Sermon on the Mount poster: DawnHorsePress length: 04:42 date added: October 4, 2011 event date: May 26, 2006 language: English listens: 4829; listens this month: 30; listens this week: 20
On May 28, 2006, with breathtaking clarity and insight, Avatar Adi Da offered a rendering of the moral and Spiritual Teachings of Jesus of Galilee, revealing the true depth of Jesus’s authenticity as a great Realizer, in continuity with the ancient esoteric tradition of Spiritual Transmission-Masters. This communication is available on the double CD from the Dawn Horse Press, The Spiritual Gospel of Saint Jesus of Galilee.
This audio excerpt is Adi Da's rendering of Jesus' Teaching from Matthew 5:1 – 5:10: "The Sermon on the Mount".
I Am as One Who Left His Home poster: CraneKirkbride length: 06:52 date added: November 7, 2010 language: English listens: 4795; listens this month: 23; listens this week: 12
Opera singer and longtime devotee Crane Kirkbride sings in devotional rapture and praise of Avatar Adi Da Samraj, including the Adidam classic, "I Am Who You Are", as well as selections by devotee composers Ray Lynch, Joanne Sunshine, John Mackay, and Louis Rozier.
Click here to hear Adi Da recite His poem, "I Am As One Who Left His Home". For more of Crane's music, visit his website.
The Art of Adi Da Samraj poster: AdiDaVideos length: 14:23 date added: November 12, 2012 language: English views: 4786; views this month: 23; views this week: 12
A retrospective of Adi Da's monumental size art. Includes clips of Him talking about His work. Also includes slides from various exhibitions and some quotes about Adi Da's art from an art critic, art historian, and museum curator.
poster: Wisdom Tools for Humanity length: 04:59 date added: March 26, 2017 event date: January 21, 2005 language: English views: 4775; views this month: 53; views this week: 18
Adi Da: "Sex is fundamental ego-identity, lived. And generally speaking, it is a problem for everyone. . . The social pattern of 'self' and 'other' is founded upon emotional-sexual patterning to a very great degree. . . So it certainly is an important dimension of bondage, and therefore an important aspect of sadhana. The Perfect Practice is not based on any reference to the body-mind, or any method of the body-mind."
In this Avataric Discourse (from January 21, 2005), Adi Da explains why the Perfect Practice (the most advanced development of the Way of Adidam) has nothing to do with sex (or the ego-"I" altogether), and is not a "method" of the body-mind or something to be applied to the body-mind. The Self-Condition prior to the body-mind is the domain of the Perfect Practice. The Self-Condition is not a separate "self", but the Nirvanic Condition that is always already the case, and that inherently transcends the body-mind.
This excerpt is from the DVD, Beyond Sex, Science, and self. Subtitles in English, Spanish, French, Italian, German, Dutch, Russian, Polish, Czech, and Hebrew.
poster: Wisdom Tools for Humanity length: 09:49 date added: March 19, 2017 language: English views: 4763; views this month: 55; views this week: 21
An audio excerpt from Adi Da Samraj's early talk, "Renouncing the Search for the Edible Deity", accompanied by photos of Adi Da from a more recent Avataric Discourse.
We experience "independent" existence as a kind of madness, a seeming separation from food (both because of the cutting of the umbilical cord and as a feeling of separation from our ultimate source of sustenance, the Very Divine). We must instead be like the eating gorilla. . .
Adi Da: "The eating gorilla finds a cabbage in the jungle, sits down like a slob and munches away at the cabbage, and is completely benign, completely peaceful. . . . Therefore, the eating gorilla is the image of the true man, the true woman. He demonstrates the principle of true politics, of real human existence, in which we are always presently connected to the Food Source in Truth, and are always presuming connection, relationship, 'I love you.' "
My loved one sits upon my knee. My left hand is on her head. My right hand guides her listening to my Heart. My touching awakens her need, her love for me, and makes her know me while I speak.
My loved one lies with me. Our loving appears as every form of all the worlds. Our sounds together make all sounds. We are the thing that is seen and heard. We are the rhythmed mind of everything.
Troubles arise for one who does not know the act in which he lives. Therefore, I display the image of my loved one and me. One who does not understand gains power for his lust in holy places. But one who understands becomes the lovers’ act that is.
Theater, Orpheum, Upanishads, and Aletheon poster: TheBeezone speakers: Frank Marrero, Ed Reither length: 29:51 date added: November 4, 2012 language: English views: 4667; views this month: 37; views this week: 18
Beezone's Ed Reither talks to Frank Marrero (author of The View from Delphi) on the origins of theater, and discusses the topics of Eleutherios, Orpheus, Greek mysteries, The Upanishads and the connection to the Greeks. The discussion revolves around the transition from mythology, rhapsodies and prosaic thought and communication and its relationship to Truth (Aletheon) and the connection to Adi Da Samraj's Literature, Theater and Image Art.
poster: AdidamPodcasts length: 25:21 date added: March 17, 2012 language: English listens: 4661; listens this month: 21; listens this week: 12
In this discourse Adi Da calls us to understand the doctrines and spiritual attainments of humankind not as separate traditions or paths but as a whole: a single "Great Tradition". He also urges humankind to transcend merely belief-based religious myths, dogma, and "religious provincialism" which only support egoic separation and conflict.
Spectra Suite poster: Francesco Rampichini length: 10:36 date added: August 2, 2017 event date: 2008 language: English views: 4654; views this month: 58; views this week: 21
As part of the 2008 Inverno a Firenze (Winter in Florence), Adi Da's Image-Art was featured in the medieval church, the Cenacolo di Ognissanti, strikingly juxtaposed with Domenico Ghirlandaio's Last Supper (1480). More about this art exhibition here.
This video was a part of that exhibition. It is an animated work that combines art drawn from Adi Da's The Spectra Suites with new electronic music by Francesco Rampichini. It was conceived and directed by Valeria Patera, and edited by Valeria Spera.
The Spectra Suites. Between 1998 and 2006, Adi Da focused on camera-based imagery, creating a highly complex body of work (in both black-and-white and color) that now exceeds 60,000 images and a great many hours of videotape. The Spectra Suites is a consequence of His work from that great library. In these suites, Adi Da combines digitally generated imagery with images He created using still and video cameras. To achieve each finished work, He then meticulously crafted every detail by digital means. Each of the ten Spectra Suites is based on one or more of His fundamental images — many of which are a powerful visual and philosophical complexity.
Francesco Rampichini. Through his music, master guitarist and composer, Francesco Rampichini, has created a wide range of sound and image interconnections, composing for theater, dance, digital art and collaborating on important exhibitions and museum installations. He taught at the Civic Music Schools in Milan, Opera, Locate Triulzi and at the Ateneo della chitarra and the European Music Institute in Milan. He teaches at CPSM at the Conservatory of Milan (of which he has been vice president) and at the Civica Music School of Locate Triulzi (guitar, ensemble music, computer music). He is President of the Jury of Guitar Competition Rocco Peruggini, artistic director of the Lyric Competition Principessa Cristina Trivulzio di Belgiojoso, and was the first Italian President of the Jury of the Django d'Or International Award under the High Patronage of the Embassy of France in Rome (1999). More about Francesco at his website.
Valeria PateraValeria Patera studied philosophy of science at Università degli Studi di Milano, and graduated in dramaturgy from the Civic School of Art.e Dramatic Paolo Grassi. She is a playwright, director, actress and scholar of the relationship between art, science, and philosophy. She collaborates with prestigious universities, research centers and European foundations including University of Sheffield, State University of Milan, ROME THREE, La Sapienza, La Sorbonne, University of Leeds and Portland, Gulbenkian Foundation, Sigma Tau Foundation. Since 2002, she has written, published and staged live work shows and life stories that have radically altered our way of seeing the world, including "Alan's Apple" about Alan Turing, the inventor of the computer; and "I, Charles Darwin: Traces and voices of my life", on the father of the theory of evolution.
Valeria Spera.Valeria Spera has a degree in "Communication Sciences and Technologies" and a specialized degree in "Television, Cinema, and Multimedia Production" from the University of Milan. She currently works with the Feltrinelli Group's La Effe TV in creating new formats for their autumn television season.
Mantras in Harmony poster: DawnHorsePress length: 01:12 date added: November 7, 2010 language: English listens: 4631; listens this month: 24; listens this week: 15
“Mantras in Harmony” — excerpt from track 3 of the album, Da Naama Mantra.
Naamleela Free Jones collaborates with dhrupad singer Felix Woldenberg in this beautiful mantric album. Together they chant 80 variants of the Da Naama Mantra with uniquely skilled intonation, unfolding from traditional alap through rhythms and modern harmonies. This is a special form of contemplation, especially for those who know of Adi Da Samraj.
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and the connection to the Greeks. The discussion revolves around the transition from mythology, rhapsodies and prosaic thought and communication and its relationship to Truth (Aletheon) and the connection to Adi Da Samraj's 
