poster: AdiDaUpClose speaker: Terry Cafferty length: 14:32 date added: April 4, 2011 event date: August 2009 language: English views: 5545; views this month: 32; views this week: 17
Terry Cafferty is an aerospace engineering consultant specializing in orbiting imaging systems, and has worked for NASA's Jet Propulsion Laboratory, Hughes Aircraft, and Raytheon. Terry tells how, even in the midst of a conventionally "successful" life, he became aware of his own inability to truly love, feel, and be in relationship with others. The crisis engendered by this realization led him to consider spiritual practice, and ultimately led him to his Spiritual Master, Avatar Adi Da Samraj.
poster: AdiDaUpClose speaker: Terry Cafferty length: 09:12 date added: April 5, 2011 event date: August 2009 language: English views: 5053; views this month: 29; views this week: 11
Terry Cafferty is an aerospace engineering consultant specializing in orbiting imaging systems, and has worked for NASA's Jet Propulsion Laboratory, Hughes Aircraft, and Raytheon. Terry tells how, even in the midst of a conventionally "successful" life, he became aware of his own inability to truly love, feel, and be in relationship with others. The crisis engendered by this realization led him to consider spiritual practice, and ultimately led him to his Spiritual Master, Avatar Adi Da Samraj.
Light-in-Everybody poster: AuraBakkerMedia length: 02:42 date added: December 31, 2012 event date: 2012 language: English listens: 6626; listens this month: 44; listens this week: 23
Light-in-Everybody is a song written for the Celebration of Light-in-Everybody, with Love and Light and Joy, and Gratitude to Heart-Master Adi Da Samraj.
Limitation on Love poster: TheBeezone length: 02:17 date added: October 11, 2013 event date: 1988 language: English views: 2922; views this month: 22; views this week: 10
Adi Da talking to devotees in New Zealand in 1988.
He responds to a devotee who is wanting to go beyond his "limitation on love". Adi Da makes the point that this is not possible merely via idealism and will. One's current limit on love is due to an as yet uninspected resistance to love. Only through self-understanding (and disciplines that serve self-understanding) can one transcend this limit.
[Contains Italian subtitles. If the CC icon ("Subtitles/closed captions") has a red line under it, the subtitles should appear. If you don't see them, just press the CC icon to turn them on.]
This video clip, "L'Insegnamento di Adi Da Come Trasmissione" ("The Teaching of Adi Da as Transmission") includes:
Commentary from Jonathan Condit (at 0:00) — Jonathan Condit was Adi Da's senior editorial assistant, and is Senior Editor for the Adidam Editorial Department. Jonathan talks about "The Function of the Spiritual Literature of Adi Da Samraj", and how Adi Da's Teaching works as Transmission of His Transcendental Spiritual State, and serves the Spiritual Realization of the reader.
Excerpt from an Avataric Discourse by Adi Da (at 5:35) — The Discourse is "My Teaching is a Direct Transmission of Me", from October 28, 2005. Adi Da talks about how His Teaching Word is a form of Spiritual Transmission, that enables Divine Communion with Him (if the devotee is in the right devotional disposition), in the same way that a Murti photograph does, or any of the other forms of Agency that Adi Da has created for this purpose.
Commentary from Megan Anderson (at 12:44) — Megan Anderson is an editor in the Adidam Editorial Department. Megan talks about Adi Da's great, final masterpiece, The Aletheon as the purest communication and Transmission of Adi Da Himself (among all His many, extraordinary books), and describes receiving the Revelation of Adi Da as she was proofreading The Aletheon before its publication.
Adi Da: "My Reality-Teaching is unparalleled Spiritual Transmission, occurring under the most extraordinary circumstances. It is not the product of an ordinary mind or a kind of scholarly commentary. It is a direct expression of Spiritual Transformation, of Spiritual Power, of Transcendental, Inherently Spiritual, and (necessarily) Divine Being, Consciousness, and Love-Bliss. It does not arise in Me or through Me in any ordinary fashion. It is an utterly spontaneous and Transcendental Spiritual Event."
poster: Tastingthemoon speaker: Meg Fortune McDonnell length: 07:35 date added: April 7, 2012 language: English views: 13648; views this month: 36; views this week: 16
Devotee Meg Fortune McDonnell reads from her book, Tasting the Moon: Adventures in the Meaning of Life. This story is excerpted from the chapter titled "On the Road," which goes on to describe the ferment of the sexual revolution, beat poetry, living theater, and alternative lifestyles of the early 1970's.
Love Comes To Here In Time poster: FloMorrissey length: 03:36 date added: December 9, 2012 language: English listens: 6317; listens this month: 39; listens this week: 21
Flo Morrissey's cover of "Love Comes To Here In Time", which she recorded as a tribute to Adi Da. (For more music from Flo, click here.)
Love Comes To Here in Time, And Numbers All the Things of Beauty in the House. A Single Room Is Shown To Be –A Unity, Within and Every Where. No Point of View is Stood Apart. No Word Is Made To Say, This Space Is Empty, or, This Place Is Full. Only Light Itself Is Come –A Merest Touch of Brightness Neither Mind Nor Body Can Deny. It Is the Heart’s Explanation of Reality. It Is Reality, Plain Spoken To the Heart –and By the Heart Alone. It Is the Beautiful, Itself.
Love Is How I Got To Here poster: Chandirah length: 02:53 date added: February 1, 2009 language: English views: 4249; views this month: 24; views this week: 16
Adi Da talks about what there is to Realize, in the enlightenment process, freedom, love-bliss, the Divine Self condition. Apologies for the less than perfect sound quality.
In this talk from April 16, 1995 (available on the CD, Love Is How I Got to Here, Adi Da describes how the preparatory stages of practice of the Reality-Way of Adidam are associated with attention, and how the attachment to attention and all its objects prevents the Realization of Reality As It Is.
He goes on to describe the unique advantage that His bodily Incarnation provides in the process of such Realization, for all time, and how the relationship to Him occurs — directly and personally — beyond the life of His human Form.
poster: CDBaby length: 08:58 date added: January 19, 2019 event date: April 16, 1995 language: English views: 2077; views this month: 28; views this week: 10
This audio excerpt is from a talk given by Adi Da on April 16, 1995, in Hymns To Me, at Adi Da Samrajashram.
Adi Da describes how the preparatory stages of practice of the Reality-Way of Adidam are associated with attention, and how the attachment to attention and all its objects prevents the Realization of Reality As It Is. He goes on to describe the unique advantage that His bodily Incarnation provides in the process of such Realization, for all time, and how the relationship to Him occurs — directly and personally — beyond the life of His human Form.
This excerpt is track 8 of the CD, The Impulse to God-Realization, a collection of talks focusing on Adi Da's clarifying Wisdom on the Impulse to Realize God that is inherent in all beings, and His Divine Offering and Instruction on the Ultimate Means to cultivate this heart-Impulse, thereby allowing it to become the guiding force of one's entire life.
The full talk, "Love Is How I Got To Here”, is available on a 2 CD set from The Dawn Horse Press. You also can read a transcript of much more of this talk here.
Note: Due to distribution policies set by CDBaby (and beyond the control of this website and Adidam), this video may not be playable in every country. However, sometimes, even when you can't play it on this page, you may be able to play it on YouTube: click here.
Love of the God-Man poster: jonobono length: 09:29 date added: February 1, 2009 event date: October 10, 1983 language: English views: 4287; views this month: 35; views this week: 17
Talk given by Adi Da on October 10, 1983, in which He makes clear that only ego-transcending responsive devotion to the Real-God-Man relieves the heart of the ego's "self"-created "purgatory" of separation, separativeness, and unlove.
Adi Da: "What is supremely attractive in the conditionally manifested universe and in the human "world" is the Real-God-Man. All beings, male or female, must become Attracted, Distracted by That One. This is the Ultimate Means, the Supreme Means, the Supreme Yoga. It is for this reason that the Divine Appears in manifested form in the likeness of those beings who are to be Drawn out of bondage — but only in their likeness. . . Those who become capable of recognizing That One become capable of responding to That Attraction. And those who become capable of being Distracted by That One become participants in this Supreme Way, Which is truly the Way of Divine Avataric Grace, because it requires no effort. It requires nothing but My Divine Avataric Grace and the response to it."
May You Ever Dwell In Our Hearts is a deeply moving, sacred, contemplative CD that celebrates Adi Da's Life of Love and Blessing. This tribute to Adi Da Samraj includes music from many different genres, ranging from Indian classical to jazz to world music and other contemporary styles.
With over two hours of devotional songs filling this double CD, you can listen to pieces composed and performed by many devotee artists, including Naamleela Free Jones, Tamarind Free Jones, Ray Lynch, John Wubbenhorst, John Mackay, Sally Howe, Crane Kirkbride, Antonina Randazzo, Katya Grineva and many others.
Some of the twenty-five pieces on May You Ever Dwell In Our Hearts were written and offered in the days immediately following Adi Da's Passing on November 27, 2008, or in the year-long period of formal mourning that followed. Other songs were offered to Him in person during His Lifetime. This CD also contains new songs never released before by Naamleela, Tamarind, and other musicians.
This is a special video tribute by pianist Albert Aprigliano, in honor of his partner's spiritual teacher/guru, Adi Da Love-Ananda Samraj. This piece by Jules Massenet is from the opera, "Thais".
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